“But when a woman writes to you in this way her excuse must certainly
be in her consciousness that she is able to eclipse in tenderness and
beauty every other woman,” said Ernest, “and I should think you might
feel some curiosity--”
“Ah,” said Canalis, “permit me, my juvenile friend, to abide by the
beautiful duchess who is all my joy.”
“You are right, you are right!” cried Ernest. However, the young
secretary read and re-read Modeste’s letter, striving to guess the mind
of its hidden writer.
“There is not the least fine-writing here,” he said, “she does not even
talk of your genius; she speaks to your heart. In your place I should
feel tempted by this fragrance of modesty,--this proposed agreement--”
“Then, sign it!” cried Canalis, laughing; “answer the letter and go to
the end of the adventure yourself. You shall tell me the results three
months hence--if the affair lasts so long.”
Four days later Modeste received the following letter, written on
extremely fine paper, protected by two envelopes, and sealed with the
arms of Canalis.
Mademoiselle,--The admiration for fine works (allowing that my
books are such) implies something so lofty and sincere as to
protect you from all light jesting, and to justify before the
sternest judge the step you have taken in writing to me.
But first I must thank you for the pleasure which such proofs of
sympathy afford, even though we may not merit them,--for the maker
of verses and the true poet are equally certain of the intrinsic
worth of their writings,--so readily does self-esteem lend itself
to praise. The best proof of friendship that I can give to an
unknown lady in exchange for a faith which allays the sting of
criticism, is to share with her the harvest of my own experience,
even at the risk of dispelling her most vivid illusions.
Public-domain text, read in full here on John Shaqi.
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