Mohawks: A Novel. Volume 1 of 3Braddon, M. E. (Mary Elizabeth)
General
Mohawks: A Novel. Volume 1 of 3
Braddon, M. E. (Mary Elizabeth)
Fiction
Rena was at first inclined to resent the introduction of a stranger into
her life, with authority to control her movements; but she found
Mademoiselle so thoroughly lovable and sympathetic, that her young heart
soon found room for a new affection. Lessons were made light and easy by
the experienced teacher, much instruction was imparted by way of
amusement, the pupil gaining knowledge unconsciously; nor was her
liberty severely curtailed. She still roved at will in the woodland
wilderness which was only in name a park, and in summertime her studies
were for the most part performed in the garden, where Mademoiselle had
a favourite seat in the shadow of a clipped yew hedge, a massive wall of
dense greenery ten feet high, and her rustic table on which writing and
drawing were managed in despite of all the summer insects that buzz in
the meridian sun. Mademoiselle was too lame to accompany her pupil in
her wanderings, but it was a point of honour with Rena not to go beyond
the park-fence, however temptingly those further wildernesses of pine
and larch to the east, or the undulating common-land to the south, might
beckon to a young explorer.
But Mademoiselle's chief hold upon her pupil, in the early days of their
association, was derived from a new pleasure which those withered little
hands of hers revealed to the Squire's daughter. At the governess's
request Mr. Bosworth ordered a new harpsichord from the best maker in
London, a harpsichord with all the last improvements, and as superior to
that old instrument which Mrs. Layburne had appropriated and carried off
to her own sitting-room, as Handel was superior to his sometime rival
Bononcini.
Mademoiselle touched the harpsichord exquisitely, with a light airy
style which harmonised perfectly with that old French music she mostly
affected. But she did not confine herself exclusively to the Gallic
masters: she had the airs from Rinaldo and all Handel's operas by heart,
and enraptured Rena by her varied stores of melody. It was the child's
introduction to a new world--the magical world of music. The little
fingers were quick to learn those easy movements with which a good
teacher begins the apprenticeship to that divine art: the quick young
mind soon grasped the elements of musical theory. Rena learned to read
music quicker than to read books, so eager was she to acquire power over
that wonderful keyboard which held all the melodies that had ever been
composed; and unwritten, unimagined melodies no less beautiful, could
she but find them. She had a natural bent for music which should have
been hereditary, so strongly did it reveal itself; yet neither Squire
Bosworth nor the gentle Lady Harriet had ever been distinguished by a
love of music, still less by any executive faculty.
Public-domain text, read in full here on John Shaqi.
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