Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Historical fiction
Affecting, while he spoke, the simplest conversational manner, he had
an acute eye all the time for the two across the room. He observed the
little attention the Earl was paying to the wiles besieging him, his
disturbed glances his way, the morose suspicion of his expression; and
he knew that the man was still too corroded with jealousy to play
adequately the part assigned him. And in so far the decoy had failed,
it seemed, to justify her uses. It was evident that, as Chesterfield
had stated, she had begun to weary him--a perilous situation, which
must be stopped from developing itself at whatever cost. But this
mischief had reserves of fascination not yet brought into action.
Kate’s own guitar--the famous instrument--lay on a table hard by. The
sight of it brought one of these reserves most opportunely into his
mind. If he dared--but he _must_ dare.
Kate looked at her beguiler queerly. “I had forgotten,” she said.
“Thank you, cousin. Is your advice very disinterested?”
“To that extreme,” said he, “that I offer myself, if you will, the
fond instrument to this provocation. Purely to serve you, believe me.
Why, watch him now, and judge if, for all his misbehaviour, he would
relish that sort of retort on his infidelity.”
“I will not watch him,” she said, “or even look at him. You are very
kind to me, cousin. I will think on what you say.”
He was so elated that he decided on the venture. Lifting the guitar,
he ran his fingers over the strings.
“This, Mrs. Davis,” said he, advancing a few steps, “is thought, as no
doubt you have been informed, the finest instrument of its kind in
London. Do you play?”
The girl’s eyes sparkled. If she had a soul, it was to be evoked,
small and indefinite, through music. Hamilton had calculated on that
effect.
“I play,” she said. “Give it me.”
Her ladyship exclaimed angrily--
“No! Put it away, cousin. I will not have it so misused.”
He laughed.
“O, Kate! Never so churlish. Those fingers, I’ll go bail, were not
made for hurt or discord. I prithee, sweet Kate.”
“Give it me,” said Moll entreatingly. “I’ll use it so I’ll make you
all love me.”
Too indignant and too proud to protest further, the young Countess
contented herself by flinging into a chair, where she sat with her
back turned obstinately on the performer.
And Moll played, her fingers fluttering over the strings like
butterflies, and drawing honey wheresoever they alighted. It was not
great music, accomplished, soul-stirring; but it was very natural and
very moving, quite true, quite simple, welling from the little spring
that was her one pure sincerity. And presently--just as,
sympathetically, when notes and chords are struck you may see a caged
bird’s throat swell and throb, until the responsive rapture comes
irresistibly bubbling forth and overflowing--her voice melted into, or
took up, the melodious refrain her hands were shaping; and in a moment
she was singing a little song, as sweet as a thrush upon a tree--
Public-domain text, read in full here on John Shaqi.
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