Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Historical fiction
In the days precedent to that lucky contretemps in Duke Street, Sad
Jack had once possessed a donkey. Acquiring the beast, by a stroke of
good fortune, through a raffle conducted in an inn yard over the
effects of a deceased tinker, he had used her to bear the burden of
the instrument which, in his ploddings abroad, made so heavy physical
an addition to the weight of melancholy which oppressed him.
Thenceforth patient Griselda acted the part of minstrel-boy to the
wandering harpist, bearing on her sturdy little back the dumb
intervals between performance and performance, and standing apathetic
by while the pence for her night’s board and lodging and her master’s
were being charmed from a reluctant public. She was a docile little
ass and intelligent, and between her and her owner was quickly
established a comradeship which made their too soon severance a source
of poignant grief to at least the human one of them. It happened in
this way--
They came chancing together one day into the broad thoroughfare of
Cornhill, where, about the neighbourhood of the great conduit, near
the east end, they halted and prepared for their parts. Here, hard by,
stood the “tun,” or lock-up, a square detached building used for the
temporary impounding of night offenders; and it may have been their
contiguity to that place of ill savour which procured them the company
which was responsible for their separation. Rogues gravitate of
instinct towards the gallows, and your thief is never to be found
hovering so certainly as about the buildings where Justice inhabits.
However that might be, and whether it were owing to the insolvency or
the insensibility of his audience I cannot say; but the net result to
the musician showed itself in such a beggarly taking, that he was
driven to bring his performance to a short end, with a view to
shifting his ground and endeavouring to discover a more profitable
pitch. He loaded up Griselda and moved off, his expression, perhaps,
reflecting the nature of his inward disappointment.
But he had not trudged fifty paces when his dismal preoccupation
became conscious of a voice that pursued and arrested him.
“Hillo, my troll-away!”
He turned about, to see a figure approaching. It was that of a common
young fellow, white-faced, dirty, but with a world of shifty cunning
in his diminutive optics. His dress--some refuse of finery cheapened
from the hangman--overhung his puny limbs, he had packthread in his
shoes, and he wore his hat with a jack-a-dandy cock that did nothing
but emphasize its extreme age and greasiness No one less unworldly
than our musician would have stopped to parley with a creature so
obviously questionable. But in truth Jack was, in the slang of the
canting tribe, a born “buzzard,” or pigeon.
“What now?” demanded he.
“Heard ye,” said the stranger, coming up with a rather panting grin,
“harping it yonder, over against lob’s pound; and, thinks I to myself,
‘Here be the very man for my master.’”
“What master?”
Public-domain text, read in full here on John Shaqi.
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