England -- Social life and customs -- 19th century -- Fiction; Love stories; Twins -- Fiction; Young women -- Fiction
And even now, in spite of the tired eyes and careworn expression, and
the haggardness brought on by the tension of over-work and late hours,
the face was almost perfect, only the fair hair had worn off the
forehead and was becoming a little grey--"pepper and salt," Mollie
called it. But the thing that struck strangers most was his air of
refinement, in spite of his shabby coat and old hat; no one could deny
that he was a gentleman; and in this they were right.
Everard Ward was a man who if he had mixed in society would have made
many friends. In the old days he had been dearly loved and greatly
admired; but just when his prospects were brightest and the future
seemed gilded with success, he suddenly took the bit between his teeth
and bolted--not down hill; his mother's sweet memory and his own
dignity prevented that--but across country, down side roads that had no
thoroughfare, and which landed him in bogs of difficulty.
For in spite of his soft heart and easy good-nature Everard was always
offending people; his wealthy godfather, for example, when he refused to
take orders and to be inducted into a family living; and again his sole
remaining relative, an uncle, who wished him to go into the War Office.
"Life is an awful muddle," he would say sometimes; but in reality he
made his own difficulties. His last act of youthful madness was when he
left the Stock Exchange, where an old friend of his father had given him
a berth, and had joined a set of young artistic Bohemians.
At that time he was supposed by his friends to be on the brink of an
engagement to an heiress, he had seemed warmly attached to her, until at
a ball he met Dorothy Sinclair, and fell desperately in love with her.
This was his crowning act of madness; and when he married her his
friends shook their heads disapprovingly, and said to each other that
that fool of a Ward had done for himself now. Why, the fellow must be
imbecile to throw away a fortune and a good sort of woman like that, to
marry a pretty little girl, without a penny for her dower!
And, indeed, though Dorothy was a lovely young creature, and as good and
lovable as her own Mollie, she was the last woman Everard ought to have
married.
The heiress would have made a man of him, and he would have spent her
money royally and been the best of husbands to her; but Dorothy lacked
backbone. She was one of those soft, weak women who need a strong arm to
lean upon.
And so, when the children came, and the cold, cold blast of adversity
began to blow upon them; when Everard could not sell his pictures, and
poverty stared them in the face;--then she lost heart and courage.
"Everard, dearest, I have not been the right wife for you," she said
once; for that long, fatal illness taught her many things. "Oh, I see it
all so much more clearly now. I have disheartened you when you needed
encouragement, and when our troubles came I did not bear them well."
Public-domain text, read in full here on John Shaqi.
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