England -- Social life and customs -- 19th century -- Fiction; Love stories; Twins -- Fiction; Young women -- Fiction
"I should have thought so myself," returned Ingram; and then he took up
one of the cards. Waveney thought he was a little nervous--his manner
was so grave. "These are very pretty," he said, quietly. "I thought so
the other day. The design is charming. May I ask if your sister ever
takes orders for them?"
"Yes, indeed; a lady has commissioned Mollie to paint these. She is to
have twelve shillings for the set."
"Twelve shillings!" and here Ingram's voice was quite indignant. "Miss
Ward," he continued, turning round to Mollie, who had just re-entered
the room, "it is a shame that you should be so fleeced. Why, the design
is worth double that sum. Now there is a friend of mine who would
willingly give you two guineas for a set of six. She is very artistic,
and fond of pretty things, and if you are willing to undertake the
commission I will write to her to-morrow."
Willing! Mollie's eyes were shining with pleasure. If she could only
earn the two guineas! They should furnish sop for Cerberus--_alias_
Barker. Waveney's earnings would not be due until Christmas, and the
constant nagging of the aggrieved butcher was making Ann's life
miserable.
"'Master says if meat's wanted it must be paid for, and he does not hold
with cheap cuts and long reckonings.' Drat the man! I hates the very
sight of him," remarked Ann, wrathfully, to her usual confidante, Mrs.
Muggins--for with toothache, a swollen face, and an irascible butcher,
life was certainly not worth living.
"Then I will write to my--to the lady to-morrow." Both Mollie and
Waveney noticed the little slip. "I wonder if he is married," Waveney
said to herself. But Mollie's inward comment was, "Very likely Mr.
Ingram is engaged, but he does not know us well enough to tell us so."
Mr. Ingram was trying to regain his airy manner, but a close observer
would have detected how keenly he was watching the two girls as he
talked. Nothing escaped him--the new hat trimmings, and the faded hat;
Waveney's worn little shoe, and the white seams in Mollie's blue serge.
Cinderella--he always called her Cinderella to himself--was no whit
smarter than she had been the other day; her hair was rather rough, as
though the wind had loosened it. And yet with what ease and
sprightliness they chattered to him! Their refined voices, their
_piquante_, girlish ways, free from all self-consciousness, delighted
the young man, who had travelled all over the world, and had not found
anything so simple, and artless, and real, as these two girls. It was
Waveney to whom he directed his conversation, and with whom he carried
on his gay badinage; but when he spoke to Mollie, his voice seemed to
soften unconsciously, as though he were speaking to a child.
CHAPTER X.
"IT IS THE VOICE OF SHEILA."
"In the grey old chapel cloister
I sit and muse alone,
Till the dial's time-worn fingers
Mark the moment when we twain
Shall in paradisal sunlight
Walk together, once again."
Public-domain text, read in full here on John Shaqi.
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