England -- Social life and customs -- 19th century -- Fiction; Love stories; Twins -- Fiction; Young women -- Fiction
"Well, well, you are a couple of dear old obstinate mules, but I love
you for it; but please do not argue any more. Good-bye, Sergeant.
Good-bye, Corporal," and the girl waved her hand, and again the old men
saluted.
"They are two of the most pugnacious, squabbling old dears in the whole
hospital," she thought, as she walked quickly on. "I wonder which of
them is right? Neither of them will yield the point." And then she
smiled and nodded to a little group that she passed; and, indeed, from
that point to Cleveland Terrace it was almost like a Royal progress, so
many were the greetings she received, and it was good to see how the old
faces brightened at the mere sight of the girl.
Presently she stopped before one of the tall old houses in Cleveland
Terrace, and glanced up eagerly at the vine-draped, balconied windows,
as though she were looking for some one; but no face was outlined
against the dingy panes. Then she let herself into the dim little hall,
with its worn linoleum, from which all pattern had faded long ago, and
its dilapidated mahogany hat-stand with two pegs missing, and an odd
assortment of male and female head-gear on the remaining ones, and then
she called out, "Mollie! Mollie!" finishing off with a shrill, sweet
whistle, that made an unseen canary tune up lustily.
And the next moment another whistle, quite as clear and sweet answered
her, and a deliciously fresh voice said, "I am in the studio, darling."
And the girl, with a wonderful brightness on her face, ran lightly up
the stairs.
"Oh! what an age you have been, Waveney! You poor dear, how tired and
hungry you must be?" and here another girl, painting at a small table by
the back window, turned round and held out her arms.
When people first saw Mollie Ward they always said she was the most
beautiful creature that they had ever seen; and then they would regard
Waveney with a pitying look, and whisper to each other how strange it
was that one twin should be so handsome and the other so pale and
insignificant.
But they were right about Mollie's beauty: her complexion was lovely,
and she had Irish grey eyes with dark curled lashes, and brown hair with
just a dash of gold in it; and her mouth was perfect, and so was her
chin and the curves of her neck; but perhaps her chief attraction was
the air of _bonhomie_ and unconsciousness and a general winsomeness that
cannot be described.
"Where is father, Mollie?" asked Waveney; but her eyes looked round the
room a little anxiously. "Ah, I see the picture has gone;" and then a
look of sorrowful understanding passed between the sisters.
"Yes, he has taken it," almost whispered Mollie, "but he will not be
back yet. Ann is out--she has gone to see her mother; so I must go and
get your tea. Noel is downstairs;" and, indeed, at that moment a
cracked, boyish voice could be heard singing the latest street melody,
and murdering it in fine style.
Public-domain text, read in full here on John Shaqi.
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