Their trust is of the sweetest and fullest. No cruel coldness has crept
in to defile their perfect love. Living as they are on a mere shadow, a
faint streak of hope, that may never break into a fuller gleam, they
still are almost happy. He loves her. Her heart is all his own. These
are their crumbs of comfort,--sweet fragments that never fail them.
Now he leads her away from the luckless subject of their engagement
altogether, and presently she is laughing over some nonsensical tale he
is telling her connected with the old life. She is asking him
questions, and he is telling her all he knows.
Philip has been abroad--no one knows where--for months; but suddenly,
and just as mysteriously as he departed, he turned up a few days ago at
Herst, where the old man is slowly fading. The winter has been a severe
one, and they think his days are numbered.
The Darleys have at last come to an open rupture, and a friendly
separation is being arranged.
"And what of my dear friend, Mr. Potts?" asks Molly.
"Oh, Potts! I left him behind me in Dublin. He is uncommonly well, and
has been all the winter pottering--by the bye, that is an appropriate
word, isn't it?--reminds one of one of his own jokes--after a girl who
rather fancies him, in spite of his crimson locks, or perhaps because
of them. That particular shade is, happily, rare. She has a little
money, too,--at least enough to make her an heiress in Ireland."
"Poor Ireland!" says Molly. "Some day perhaps I shall go there, and
judge of its eccentricities myself."
"By the bye, Molly," says Luttrell, with an impromptu air, "did you
ever see the Tower?"
"Never, I am ashamed to say."
"I share your sentiments. Never have I planted my foot upon so much as
the lowest step of its interminable stairs. I feel keenly the disgrace
of such an acknowledgment. Shall we let another hour pass without
retrieving our false position? A thousand times 'no.' Go and put your
bonnet on, Molly, and we will make a day of it."
And they do make a day of it, and are as foolishly, thoughtlessly,
unutterably happy as youth and love combined can be in the very face of
life's disappointments.
* * * * *
The first flush of her joy on meeting Luttrell being over, Molly grows
once more depressed and melancholy.
Misfortune has so far subdued her that now she looks upon her future,
not with the glad and hopeful eyes of old, but through a tearful mist,
while dwelling with a sad uncertainty upon its probable results.
When in the presence of her lover she rises out of herself, and for the
time being forgets, or appears to forget, her troubles; but when away
from him she grows moody and unhappy.
Could she see but a chance of ever being able to alter her present mode
of life--before youth and hope are over--she would perhaps take her
courage by both hands and compel it to remain. But no such chance
presents itself.
Public-domain text, read in full here on John Shaqi.
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