"I must be growing stupid, then. You have accused me of flirting; and
how am I to understand that, I who never flirted? How should I? I would
not know how."
"You must allow me to differ with you; or, at all events, let me say
your imitation of it is highly successful."
"But," with anxious hesitation, "what is flirting?"
"Pshaw!" wrathfully, "have you been waiting for me to tell you? It is
trying to make a fool of a fellow, neither more nor less. You are
pretending to love me, when you know in your heart you don't care
_that_ for me." The "that" is both forcible and expressive, and
has reference to an indignant sound made by his thumb and his second
finger.
"I was not aware that I ever 'pretended to love' you," replies Molly,
in a tone that makes him wince.
"Well, let us say no more about it," cries he, springing to his feet,
as though unable longer to endure his enforced quietude. "If you don't
care for me, you don't, you know, and that is all about it. I dare say
I shall get over it; and if not, why, I shall not be the only man in
the world made miserable for a woman's amusement."
Molly has also risen, and, with her long daisy chain hanging from both
her hands, is looking a perfect picture of injured innocence; although
in truth she is honestly sorry for her cruel speech.
"I don't believe you know how unkind you are," she says, with a
suspicion of tears in her voice, whether feigned or real he hardly
dares conjecture. Feeling herself in the wrong, she seeks meanly to
free herself from the false position by placing him there in her stead.
"Do not let us speak about unkindness, or anything else," says the
young man, impatiently. "Of what use is it? It is the same thing
always: I am obnoxious to you; we cannot put together two sentences
without coming to open war."
"But whose fault was it this time? Think of what you accuse me! I did
not believe you could be so rude to me!" with reproachful emphasis.
Here she directs a slow lingering glance at him from her violet eyes.
There are visible signs of relenting about her companion. He colors,
and persistently refuses, after the first involuntary glance, to allow
his gaze to meet hers again; which is, of all others, the surest
symptom of a coming rout. There are some eyes that can do almost
anything with a man. Molly's eyes are of this order. They are her
strongest point; and were they her sole charm, were she deaf and dumb,
I believe it would be possible to her, by the power of their expressive
beauty alone, to draw most hearts into her keeping.
"Did you mean what you said just now, that you had no love for me?" he
asks, with a last vain effort to be stern and unforgiving. "Am I to
believe that I am no more to you than any other man?"
"Believe nothing," murmurs she, coming nearer to lay a timid hand upon
his arm, and raising her face to his, "except this, that I am your own
Molly."
Public-domain text, read in full here on John Shaqi.
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