“Look at that natural place to be married in: the guests under the
trees; room for everybody; a living altar of shrubs and flowers at the
end of the tan-bark walk; minister entering from the grass walk on one
side and Mr. Rutledge with his best man from the other; down the steps
Mildred on Ernest’s arm, followed by Molly and Sue. Can’t you see them
coming up the tan-bark walk? Just at sunset, the people in their light
festive clothes, your mother beautiful in her black crêpe de Chine, with
Paul and John and Kent standing by her making a dark note near the
bride? Oh, why, oh, why did they not have holly-hocks up this garden
walk instead of by the chicken yard fence? It would have made the color
scheme simply perfect.”
Judy paused for breath. She had carried the crowd by her eloquence, and
so perfectly had she visualized the whole thing that each one was able
to see what she meant, and absolute and unanimous approval was given the
scheme. Kent, with his artistic eye, was in for it heart and soul, and
began to plan Japanese lanterns to be lit after the ceremony in the
rustic summer-house beyond, where supper was to be served, observing
that their color might somewhat take the place of the holly-hocks that
were in the wrong place.
“Just where did you want the holly-hocks, Miss Judy? We might do better
another year if we knew just what your orders were.”
“On both sides of the tan-bark walk, just beyond the intersection of the
grass walk. Can’t you see how fine and stately they would look, and what
a wonderful mass of color?”
“Right, as usual. What an architect you would make! That power of
‘seein’ things’ is what an architect needs above everything. Any one can
learn to make it, but it is the one who sees it who is the great man or
woman, as in the present case.”
Things had been humming so since Molly’s return that she had had no time
for the confidential talk with her mother that both were hungering for.
The Browns always had much company, but at this season there seemed to
be no end to the comings and goings of guests, principally comings: many
parting calls being paid to Mildred by old and young; Molly’s friends
hastening to greet her after the eight months’ absence at college; a
steady following of young men calling on Sue, in spite of her suspected
preference for Cyrus Clay, the nephew of Aunt Sarah Clay’s deceased
husband, and the one Aunt Mary objected to because of his living up such
a muddy lane. Presents were pouring in for the bride; notes had to be
answered; trains to be met; express packages to be fetched from the
station; and poor little Mrs. Woodsmall kept in a state of constant
misery over the Parcel Post business Bud was doing, and she with “never
a chanst to take so much as a peep.”
Public-domain text, read in full here on John Shaqi.
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