The house was of white-washed brick, with a sloping gray shingled roof
and green shutters, and a general air of roominess and comfort. A long,
deep gallery or porch ran across the front, which Architect Kent
explained to Judy was not quite in keeping with the style of
architecture, but had been added by a comfort-loving Brown to the
delectation of all who came after him. The lines of the old house were
so good that the addition of a mere porch could not ruin it, and
certainly added to its charm and comfort. To the left, in the rear, well
off from the house, were the barn-yard and stables, chicken houses,
smokehouse, and servants’ quarters; to the right, a tan-bark walk led to
the garden. Down that path came Mildred, by her side a young man who
seemed to be so amused by her lively chatter that he could hardly
contain himself.
“Molly, Molly, I’m so glad to see you, and so is Crit, although he has
no words to tell you how glad he is. And, Miss Kean, Judy! It is
splendid for you to come just now. I am certain that Kent could not keep
the news, and you know by this time that Crit and I are to be married
the last of next week. Mr. Rutledge, let me introduce you to Miss Kean.”
Although Crittenden had never uttered a word, he seemed to be able to
let Molly understand that he, too, was glad to see her, as he was
vigorously hugging her and two-stepping with her over the short,
well-kept grass. But, at Mildred’s call, he suddenly stopped, made a low
and courtly bow to his partner, and turned to Judy, clasping her hand in
a warm and friendly grasp, and giving her such a smile as she had never
before beheld. In it he made her feel that she was welcome to Kentucky;
that he intended to like her and have her like him; and had his heart
not been already engaged, he would lay it at her feet. Never a word did
he utter. He was tall, rather soldierly in bearing, with the most
beaming countenance Judy had ever seen, and such perfect teeth she
almost had her doubts about them.
“Where is Sue, mother?” said Molly. “And Aunt Mary and Ca’line? Of
course the other boys are not home so early.”
“Sue has gone over to Aunt Sarah Clay’s. She sent for her in a great
hurry. Sue was loath to go, fearing she could not get back before you
arrived, but you know your Aunt Clay and how autocratic she is. Sue
seems to be in great favor just now. Here is Aunt Mary, however.”
Molly ran to meet the decrepit old darkey, embracing her with almost as
much fervor as she had her mother. Aunt Mary Morton was surely of the
old school: very short and fat, dressed in a starched purple calico,
with a white “neckercher” and a voluminous gingham apron, her head tied
up in a gorgeous bandanna handkerchief.
Public-domain text, read in full here on John Shaqi.
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