College students -- Juvenile fiction; Young women -- Juvenile fiction
Summer still lingered in the land when Wellington College opened her
gates one morning in September. Frequent heavy rains had freshened the
thirsty fields and meadows, and autumn had not yet touched the foliage
with scarlet and gold. The breeze that fluttered the curtains at the
windows of No. 5 Quadrangle was as soft and humid as a breath of May. It
was as if spring was in the air and the note of things awakening,
pushing up through the damp earth to catch the warm rays of the sun. It
was Nature's last effort before she entered into her long sleep.
Molly Brown, standing by the open window, gazed thoughtfully across the
campus. Snatches of song and laughter, fragments of conversation and
the tinkle of the mandolin floated up to her from the darkness. It was
like an oft-told but ever delightful story to her now.
"Shall I ever be glad to leave it all?" she asked herself. "Wellington
and the girls and the hard work and the play?"
How were they to bear parting, the old crowd, after four years of
intimate association? Did Judy love it as she did, or would she not
rather feel like a bird loosed from a cage when at last the gates were
opened and she could fly away. But Molly felt sure that Nance would feel
the pangs of homesickness for Wellington when the good old days were
over.
All these half-melancholy thoughts crowded through Molly's mind while
Judy thrummed the guitar and Nance, busy soul, arranged the books on the
new white book shelves.
Presently the other girls would come trailing in, the "old guard," to
talk over the events of that busy first day: Margaret Wakefield,
bursting with opinions about politics and woman's suffrage; pretty
Jessie Lynch, and the Williams sisters whose dark lustrous eyes seemed
to see beyond the outer crust of things. Last of all, after a discreet
interval, would come a soft, deprecating tap at the door, and Otoyo Sen,
most charming of little Japanese ladies, with a beaming, apologetic
smile, would glide into the room on her marshmallow soled slippers.
"Everybody's late," exclaimed Judy, unexpectedly breaking in on her
friend's preoccupation. "I do wish my trunk were unpacked. I can't bear
to be unsettled. It's the most disagreeable thing about the first day of
college."
"Why don't you go unpack it, then, lazybones?" asked Nance, a trifle
sternly. As much as she loved her care-free Judy, she never quite
approved of her.
"How little you understand my nature, Nance," answered Judy,
reproachfully.
"I know that people who pride themselves on having the artistic
temperament never like to unpack trunks or do any kind of so-called
menial work, for that matter. But there can be just as much art in
unpacking a trunk as in a painting a picture----"
"Ho, ho!" interrupted Judy, who loved these discussions with her
serious-minded friend. "How would you like to engage for all your life
in the immortal work of unpacking trunks?"
Public-domain text, read in full here on John Shaqi.
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