"Oh, Carl dear, you silly boy, WHY do you persist in hectoring me so? Don't you understand that I've got only a certain amount of ingenuity anyway, and if you force me to use it all in trying to conceal my identity from you, how much shall I possibly have left to devise schemes for your amusement? Why do you persist, for instance, in wanting to see my face? Maybe I haven't got any face! Maybe I lost my face in a railroad accident. How do you suppose it would make me feel, then, to have you keep teasing and teasing.--Oh, Carl! "Isn't it enough for me just to tell you once for all that there is an insuperable obstacle in the way of our ever meeting. Maybe I've got a husband who is cruel to me. Maybe, biggest obstacle of all, I've got a husband whom I am utterly devoted to. Maybe, instead of any of these things, I'm a poor, old wizened-up, Shut-In, tossing day and night on a very small bed of very big pain. Maybe worse than being sick I'm starving poor, and maybe, worse than being sick or poor, I am most horribly tired of myself. Of course if you are very young and very prancy and reasonably good-looking, and still are tired of yourself, you can almost always rest yourself by going on the stage where--with a little rouge and a different colored wig, and a new nose, and skirts instead of trousers, or trousers instead of skirts, and age instead of youth, and badness instead of goodness--you can give your ego a perfectly limitless number of happy holidays. But if you were oldish, I say, and pitifully 'shut in', just how would you go to work, I wonder, to rest your personality? How for instance could you take your biggest, grayest, oldest worry about your doctor's bill, and rouge it up into a radiant, young joke? And how, for instance, out of your lonely, dreary, middle-aged orphanhood are you going to find a way to short-skirt your rheumatic pains, and braid into two perfectly huge pink-bowed pigtails the hair that you _haven't got_, and caper round so ecstatically before the foot-lights that the old gentleman and lady in the front seat absolutely swear you to be the living image of their 'long lost Amy'? And how, if the farthest journey you ever will take again is the monotonous hand-journey from your pillow to your medicine bottle, then how, for instance, with map or tinsel or attar of roses, can you go to work to solve even just for your own satisfaction the romantic, shimmering secrets of--Morocco? "Ah! You've got me now, you think? All decided in your mind that I am an aged invalid? I didn't say so. I just said 'maybe'. Likelier than not I've saved my climax for its proper place. How do you know,--for instance, that I'm not a--'Cullud Pusson'?--So many people are."