man who has no redeeming petty vices, and so I don’t want to hear from you any more. I think you are the very same man who read me a long lecture last week about the degrading vice of smoking cigars, and then came back, in my absence, with your reprehensible fireproof gloves on, and carried off my beautiful parlor stove. “Young Author.”—Yes, Agassiz _does_ recommend authors to eat fish, because the phosphorus in it makes brain. So far you are correct. But I cannot help you to a decision about the amount you need to eat—at least, not with certainty. If the specimen composition you send is about your fair usual average, I should judge that perhaps a couple of whales would be all you would want for the present. Not the largest kind, but simply good, middling-sized whales. HOW I EDITED AN AGRICULTURAL PAPER In about half an hour an old gentleman, with a flowing beard and a fine but rather austere face, entered, and sat down at my invitation. He seemed to have something on his mind. He took off his hat and set it on the floor, and got out of it a red silk handkerchief and a copy of our paper. He put the paper on his lap, and while he polished his spectacles with his handkerchief, he said, “Are you the new editor?” I said I was. “Have you ever edited an agricultural paper before?” “No,” I said; “this is my first attempt.” “Very likely. Have you had any experience in agriculture, practically?” “No; I believe I have not.” “Some instinct told me,” said the old gentleman, putting on his spectacles and looking over them at me with asperity, while he folded his paper into a convenient shape. “I wish to read you what must have made me have that instinct. It was this editorial. Listen, and see if it was you that wrote it: “Turnips should never be pulled, it injures them. It is much better to send a boy up and let him shake the tree.” “Now, what do you think of that?—for I really suppose you wrote it?” “Think of it? Why, I think it is good. I think it is sense. I have no doubt that every year millions and millions of bushels of turnips are spoiled in this township alone by being pulled in a half-ripe condition, when, if they had sent a boy up to shake the tree——” “Shake your grandmother! Turnips don’t grow on trees!” “Oh, they don’t don’t they? Well, who said they did? The language was intended to be figurative, wholly figurative. Anybody that knows anything will know that I meant that the boy should shake the vine.” Then this old person got up and tore his paper all into small shreds, and stamped on them, and broke several things with his cane, and said I did not know as much as a cow; and then went out and banged the door after him, and, in short, acted in such a way that I fancied he was displeased about something. But not knowing what the trouble was, I could not be any help to him. _FROM_ “THE INNOCENTS ABROAD” (1867–68) ON KEEPING A JOURNAL