It was a long, long ride. But toward evening, as we sat silent and hardly conscious of where we were—subdued into that meditative calm that comes so surely after a conversational storm—some one shouted: “VENICE!” And sure enough, afloat on the placid sea a league away, lay a great city with its towers and domes and steeples drowsing in a golden midst of sunset. The venerable Mother of the Republics is scarce a fit subject for flippant speech or the idle gossiping of tourists. It seems a sort of sacrilege to disturb the glamour of old romance that pictures her to us softly from afar off as through a tinted mist, and curtains her ruin and her desolation from our view. One ought, indeed, to turn away from her rags, her poverty, and her humiliation, and think of her only as she was when she sunk the fleets of Charlemagne; when she humbled Frederick Barbarossa or waved her victorious banners above the battlements of Constantinople. There was music everywhere—choruses, string bands, brass bands, flutes, everything. I was so surrounded, walled in with music, magnificence, and loveliness, that I became inspired with the spirit of the scene, and sang one tune myself. However, when I observed that the other gondolas had sailed away, and my gondolier was preparing to go overboard, I stopped. In the glare of the day, there is little poetry about Venice, but under the charitable moon her stained palaces are white again, their battered sculptures are hidden in shadows, and the old city seems crowned once more with the grandeur that was hers five hundred years ago. It is easy, then, in fancy, to people these silent canals with plumed gallants and fair ladies—with Shylocks in gaberdine and sandals, venturing loans upon the rich argosies of Venetian commerce—with Othellos and Desdemonas, with Iagos and Roderigos—with noble fleets and victorious legions returning from the wars. In the treacherous sunlight we see Venice decayed, forlorn, poverty-stricken, and commerceless—forgotten and utterly insignificant. But in the moonlight, her fourteen centuries of greatness fling their glories about her, and once more is she the princeliest among the nations of the earth. Yes, I think we have seen all Venice. We have seen in these old churches a profusion of costly and elaborate sepulchre ornamentation such as we never dreamt of before. We have stood in the dim religious light of these hoary sanctuaries, in the midst of long ranks of dusty monuments and effigies of the great dead of Venice, until we seemed drifting back, back, back, into the solemn past, and looking upon the scenes and mingling with the people of a remote antiquity. We have been in a half-waking sort of a dream all the time. I do not know how else to describe the feeling. A part of our being has remained still in the nineteenth century, while another part of it has seemed in some unaccountable way walking among the phantoms of the tenth.