Momus Triumphans: or, the Plagiaries of the English Stage (1688[1687]) — John Shaqi
Momus Triumphans: or, the Plagiaries of the English Stage (1688[1687])Langbaine, Gerard
General
Momus Triumphans: or, the Plagiaries of the English Stage (1688[1687])
Langbaine, Gerard
English drama -- Bibliography
_Comedies_,
_Tragi-Comedies_,
_Masques_,
_Tragedies_,
_Opera's_,
_Pastorals_,
_Interludes_, &c.
Both Ancient and Modern, that were ever yet Printed in
_English_. The Names of their Known and Supposed Authors.
Their several Volumes and Editions: With an Account of
the various Originals, as well _English_, _French_, and
_Italian_, as _Greek_ and _Latine_; from whence most of them
have Stole their Plots.
By _GERARD LANGBAINE_ Esq;
_Indice non opus est nostris, nec vindice Libris:
Stat contra dicitq; tibi tua Pagina, Fures._ Mart.
_LONDON_: Printed for _Nicholas Cox_, and are to be Sold by him in
_Oxford_. MDCLXXXVIII.
The Preface.
If it be true, what =Aristotle=[40] that great Philosopher, and Father
of Criticism, has own'd, =that the= Stage =might instruct Mankind
better than= Philosophy it self. If =Homer= was thought by =Horace=[41]
to exceed =Crantor= and =Chrystippus= in the Precepts of Morality; and
if =Sophocles= and =Euripides=, obtained the title of Wise, for their
=Dramatich= Writing, certainly it can be no discredit for any man to
own himself a lover of that sort of Poetry, which has been stiled, =The
School of Vertue and good Manners=? I know there have been many severe
=Cato's= who have endeavoured all they could, to decry the use of the
Stage; but those who please to consult the Writings of the Learned
Dr. =Gager=, =Albericus Gentiles=, Sir =Philip Sidney=, Sir =Richard
Baker=, =Heywood=, the Poet and Actor both in one; not to mention
several others, as the famous =Scaliger=, Monsieur =Hedelin=, =Rapin=,
&c. will find their Objections fully answered, and the Diversion of
the Theatre sufficiently vindicated. I shall therefore without any
Apology, publickly own, that my inclination to this kind of Poetry in
particular, has lead me not onely to the view of most of our Modern
Representations on the Stage, but also to the purchase of all the Plays
I could meet with, in the =English= Tongue; and indeed I have been
Master of above =Nine Hundred= and =Fourscore= English =Plays= and
=Masques=, besides =Drolls= and =Interludes=; and having read most of
them, I think am able to give some tollerable account of the greatest
part of our Dramatick Writers, and their Productions.
The general Use of =Catalogues=, and the esteem they are in at
present, is so well known, that it were to waste Paper to expatiate
on it: I shall therefore onely acquaint my =Reader=, that I designed
=this Catalogue= for their use, who may have the same relish of the
=Dramma= with my self; and may possibly be desirous, either to make
a Collection, or at least have the curiosity to know in =general=,
what has been Publish't in our Language, as likewise to receive some
Remarks on the Writings of =particular= Men.
Public-domain text, read in full here on John Shaqi.
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