England -- Social life and customs -- 20th century -- Fiction
Produced by Meredith Bach, Martin Pettit and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
book was produced from scanned images of public domain
material from the Google Print project.)
Monday or Tuesday
_By_ VIRGINIA WOOLF
[Illustration: Publisher's logo]
NEW YORK
HARCOURT, BRACE AND COMPANY
1921
COPYRIGHT, 1921, BY
HARCOURT, BRACE AND COMPANY, INC.
PRINTED IN THE U. S. A. BY
THE QUINN & BODEN COMPANY
RAHWAY, N. J.
CONTENTS
PAGE
A HAUNTED HOUSE 3
A SOCIETY 9
MONDAY OR TUESDAY 41
AN UNWRITTEN NOVEL 45
THE STRING QUARTET 71
BLUE AND GREEN 81
KEW GARDENS 83
THE MARK ON THE WALL 99
MONDAY OR TUESDAY
A HAUNTED HOUSE
Whatever hour you woke there was a door shutting. From room to room they
went, hand in hand, lifting here, opening there, making sure--a ghostly
couple.
"Here we left it," she said. And he added, "Oh, but here too!" "It's
upstairs," she murmured. "And in the garden," he whispered. "Quietly,"
they said, "or we shall wake them."
But it wasn't that you woke us. Oh, no. "They're looking for it; they're
drawing the curtain," one might say, and so read on a page or two. "Now
they've found it," one would be certain, stopping the pencil on the
margin. And then, tired of reading, one might rise and see for oneself,
the house all empty, the doors standing open, only the wood pigeons
bubbling with content and the hum of the threshing machine sounding from
the farm. "What did I come in here for? What did I want to find?" My
hands were empty. "Perhaps it's upstairs then?" The apples were in the
loft. And so down again, the garden still as ever, only the book had
slipped into the grass.
But they had found it in the drawing room. Not that one could ever see
them. The window panes reflected apples, reflected roses; all the leaves
were green in the glass. If they moved in the drawing room, the apple
only turned its yellow side. Yet, the moment after, if the door was
opened, spread about the floor, hung upon the walls, pendant from the
ceiling--what? My hands were empty. The shadow of a thrush crossed the
carpet; from the deepest wells of silence the wood pigeon drew its
bubble of sound. "Safe, safe, safe," the pulse of the house beat softly.
"The treasure buried; the room ..." the pulse stopped short. Oh, was
that the buried treasure?
Public-domain text, read in full here on John Shaqi.
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