England -- Social life and customs -- 20th century -- Fiction
Here he seemed to have caught sight of a woman's dress in the distance,
which in the shade looked a purple black. He took off his hat, placed
his hand upon his heart, and hurried towards her muttering and
gesticulating feverishly. But William caught him by the sleeve and
touched a flower with the tip of his walking-stick in order to divert
the old man's attention. After looking at it for a moment in some
confusion the old man bent his ear to it and seemed to answer a voice
speaking from it, for he began talking about the forests of Uruguay
which he had visited hundreds of years ago in company with the most
beautiful young woman in Europe. He could be heard murmuring about
forests of Uruguay blanketed with the wax petals of tropical roses,
nightingales, sea beaches, mermaids, and women drowned at sea, as he
suffered himself to be moved on by William, upon whose face the look of
stoical patience grew slowly deeper and deeper.
Following his steps so closely as to be slightly puzzled by his
gestures came two elderly women of the lower middle class, one stout and
ponderous, the other rosy cheeked and nimble. Like most people of their
station they were frankly fascinated by any signs of eccentricity
betokening a disordered brain, especially in the well-to-do; but they
were too far off to be certain whether the gestures were merely
eccentric or genuinely mad. After they had scrutinised the old man's
back in silence for a moment and given each other a queer, sly look,
they went on energetically piecing together their very complicated
dialogue:
"Nell, Bert, Lot, Cess, Phil, Pa, he says, I says, she says, I says, I
says, I says----"
"My Bert, Sis, Bill, Grandad, the old man, sugar,
Sugar, flour, kippers, greens,
Sugar, sugar, sugar."
The ponderous woman looked through the pattern of falling words at the
flowers standing cool, firm, and upright in the earth, with a curious
expression. She saw them as a sleeper waking from a heavy sleep sees a
brass candlestick reflecting the light in an unfamiliar way, and closes
his eyes and opens them, and seeing the brass candlestick again, finally
starts broad awake and stares at the candlestick with all his powers. So
the heavy woman came to a standstill opposite the oval-shaped flower
bed, and ceased even to pretend to listen to what the other woman was
saying. She stood there letting the words fall over her, swaying the top
part of her body slowly backwards and forwards, looking at the flowers.
Then she suggested that they should find a seat and have their tea.
Public-domain text, read in full here on John Shaqi.
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