England -- Social life and customs -- 20th century -- Fiction
Perhaps it was the middle of January in the present year that I first
looked up and saw the mark on the wall. In order to fix a date it is
necessary to remember what one saw. So now I think of the fire; the
steady film of yellow light upon the page of my book; the three
chrysanthemums in the round glass bowl on the mantelpiece. Yes, it must
have been the winter time, and we had just finished our tea, for I
remember that I was smoking a cigarette when I looked up and saw the
mark on the wall for the first time. I looked up through the smoke of my
cigarette and my eye lodged for a moment upon the burning coals, and
that old fancy of the crimson flag flapping from the castle tower came
into my mind, and I thought of the cavalcade of red knights riding up
the side of the black rock. Rather to my relief the sight of the mark
interrupted the fancy, for it is an old fancy, an automatic fancy, made
as a child perhaps. The mark was a small round mark, black upon the
white wall, about six or seven inches above the mantelpiece.
How readily our thoughts swarm upon a new object, lifting it a little
way, as ants carry a blade of straw so feverishly, and then leave it....
If that mark was made by a nail, it can't have been for a picture, it
must have been for a miniature--the miniature of a lady with white
powdered curls, powder-dusted cheeks, and lips like red carnations. A
fraud of course, for the people who had this house before us would have
chosen pictures in that way--an old picture for an old room. That is the
sort of people they were--very interesting people, and I think of them
so often, in such queer places, because one will never see them again,
never know what happened next. They wanted to leave this house because
they wanted to change their style of furniture, so he said, and he was
in process of saying that in his opinion art should have ideas behind it
when we were torn asunder, as one is torn from the old lady about to
pour out tea and the young man about to hit the tennis ball in the back
garden of the suburban villa as one rushes past in the train.
Public-domain text, read in full here on John Shaqi.
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