Banks and banking -- France -- History -- 19th -- Fiction
'I owe you nothing, and I shall give you nothing,' said she; 'besides,
Monsieur warned me, and absolutely forbade me to do anything for you.'
Charles took a step forward with a threatening air. 'Oh, Monsieur said
that, did he? I suspected as much, and Monsieur made a great mistake,
for now we shall have some fun. For I know all about Monsieur and his
goings on. Yes, indeed, I know all about them!'
Madame Caroline had risen to her feet, intending to order him out of
the room; but before she could do so he had forced the whole horrid
story upon her unwilling ears. She tried to get rid of him by handing
him the fifteen francs that he had asked for, and he took them and even
became polite; but nothing could stop his venomous tongue. And thus
she learnt everything; the meetings of Saccard and the Baroness, and a
horribly scandalous scene in which Delcambre, the Public Prosecutor,
long the woman's lover, had taken part.
But at last the coachman went off, and after remaining for a few
moments motionless Madame Caroline sank with a prolonged wail on to a
chair beside her work-table, giving free course to the tears which had
so long been stifling her. For a long while she wept in silent agony,
but the time came when amidst all her grief for self, her grief for the
wrong which had been done her, she felt the many suspicions, the many
fears respecting other matters that she had sought to bury, reviving.
She had forced herself to tranquillity and hope in the affairs of
the Universal, becoming in her loving blindness an accomplice in all
that was not told her and that she did not seek to learn. And now,
in a fit of violent remorse, she reproached herself for writing that
reassuring letter to her brother at the time of the last shareholders'
meeting. For, since jealousy had again opened her eyes and ears, she
had known that the irregular practices were continuing, ever growing
worse and worse. The Sabatani account had increased to a yet higher
figure, the Bank was speculating more and more extensively under cover
of Sabatani's name, to say nothing of the monstrous lying puffs which
were being disseminated, the foundations of sand and mud on which had
been reared that colossal edifice, whose rise, so rapid that it seemed
miraculous, inspired her with far more terror than delight. And it was
especially the terrible pace which distressed her--the continual gallop
at which the Universal was driven along, like some engine stuffed full
of coals and set upon diabolical rails that it might rush on until a
final great shock should make everything burst and smash.
Public-domain text, read in full here on John Shaqi.
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