Banks and banking -- France -- History -- 19th -- Fiction
'If Victor were only a nice child!' explained the old woman in a
sorrowful voice. 'But he's dreadful! Ah! it is hard to be encumbered
with such inheritances--an urchin who will end on the scaffold, and
those bits of paper which will never bring me anything!'
Busch kept his big pale eyes obstinately fixed upon the notes. How
many times already had he thus studied them, hoping that some hitherto
unnoticed detail, something in the form of the letters, or in the grain
of the stamped paper, would supply him with a clue! He asserted at
times that that fine, pointed handwriting was not altogether unknown to
him. 'It is curious,' he repeated once more, 'I am certain that I have
somewhere already seen such _a_'s and _o_'s as these, so elongated that
they resemble _i_'s.'
Just then there came a knock; and he asked La Méchain to stretch out
her hand to open the door, for the room communicated direct with the
staircase. You had to cross it in order to reach the second chamber,
the one that overlooked the street. As for the kitchen, this was a
stifling hole on the other side of the landing.
'Come in, monsieur,' said La Méchain, and Saccard entered. He was
smiling, inwardly amused by the copper plate screwed upon the door, and
bearing in large letters the words: 'Disputed Claims.'
'Oh yes, Monsieur Saccard, you have come for that translation--my
brother is there in the other room. Come in, pray come in.'
La Méchain, however, absolutely barred the passage, and scrutinised the
new-comer with an air of increasing surprise. No end of manœuvring was
necessary for Saccard to effect an entrance; he had to retreat to the
stairs again whilst she stepped out, and drew back on the landing, so
that he might pass in and finally reach the adjoining room, into which
he disappeared. During these complicated movements, La Méchain had not
once taken her eyes off him.
'Oh!' she faintly gasped, like one sorely oppressed, 'this Monsieur
Saccard, I never had so near a view of him before. Victor is the
perfect image of him.'
Busch looked at her, at first failing to understand; then a sudden
light dawned upon his mind, and in a stifled voice he swore: 'Thunder!
that's it; I knew very well that I had seen that handwriting somewhere.'
And this time he rose, rummaged among his batches of papers, and at
last found a letter that Saccard had written him during the previous
year to ask him for an extension of time in favour of an insolvent
lady. He quickly compared the handwriting of the notes with that of
this letter. The _a_'s and the _o_'s were clearly the same, though they
had grown yet more pointed with the lapse of time; and there was also a
marked similarity between the capital letters.
'It is he, it is he,' he repeated. 'Only, let me see, why Sicardot? Why
not Saccard?'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account