There is a strong Jewish element in this story, and here and there some very unpleasant things are said of the chosen people. It should be remembered, however, that these remarks are the remarks of M. Zola's characters and not of M. Zola himself. He had to portray certain Jew-haters, and has simply put into their mouths the words which they are constantly using. This statement is not unnecessary, for M. Zola counts many friends and admirers among writers and readers of the Jewish persuasion, and some of them might conceive the language in which their race is spoken of to be expressive of the author's personal opinions. But such is not the case. M. Zola is remarkably free from racial and religious prejudices. And, after all, I do not think that any Hebrew reader can take exception to the portrait of Gundermann, the great Jew financier, the King of the Money Market, who in a calm methodical way brings about the ruin of Saccard and Hamelin. Gundermann, moreover, really existed and may be readily identified. In Daigremont, another financier, but a Catholic, we have a combination of Achille Fould and Isaac Pereire. Daigremont's house is undoubtedly Fould's, and so is his gallery of paintings. And there are other characters in the story who might in a measure be identified. For instance, readers acquainted with the social history of France during the last half century will doubtless trace a resemblance between the Princess d'Orviedo and a certain foreign Duchess. Then the Viscount de Robin-Chagot is strangely suggestive of a Rohan-Chabot, whose financial transactions brought him before a court of law during the latter period of the Second Empire. Various personalities are merged in the character of the courtly Marquis de Bohain, that perfect type of the aristocratic rogue; but Rougon is undoubtedly Eugène Rouher _tout craché_, whatever M. Zola may pretend to the contrary. M. Zola himself will be found in the book, for surely Paul Jordan, the impecunious journalist with 'an idea for a novel,' is the author of the Rougon-Macquart series in the far-away days when he lived on the topmost floor of a modest house on the Boulevard de Clichy.