Banks and banking -- France -- History -- 19th -- Fiction
Saccard was able to render Hamelin a service--some little work which
he secured for him from some investors who needed an engineer to
report upon the output of a new machine, and thus he forced an intimacy
with the brother and sister, and frequently went up to spend an hour
with them in their _salon_, their only large room, which they had
transformed into a work room. This room remained virtually bare, for
its only furniture consisted of a long designing table, a smaller
table covered with papers, and half a dozen chairs. Books were heaped
up on the mantel-shelf, whilst on the walls an improvised decoration
enlivened the blank space--a series of plans, of bright water-colour
drawings, each held in place by four tacks. The plans were those which
Hamelin had gathered together in his portfolio of projects; they were
the notes he had taken in Syria, the bases on which he hoped to build
up all his future fortune; whereas the water-colours were the work of
Madame Caroline--Eastern views, types, and costumes which she had noted
while accompanying her brother about, which she had sketched with keen
insight into the laws of colour, though in a very unpretending way.
Two larger windows overlooking the garden of the Beauvilliers mansion
admitted a bright light to illumine these straggling designs, typical
of another life, of an ancient society sinking into dust, which the
plans, firmly and mathematically outlined, seemed about to put upon its
feet again, supported, as it were, by the solid scaffolding of modern
science. And Saccard, when he had rendered himself useful, with that
display of activity which made him so charming, would often linger
before the plans and water-colours, seduced, and continually asking for
fresh explanations. Vast schemes were already germinating in his brain.
One morning he found Madame Caroline seated alone at the little table
which she used as her desk. She was dreadfully sad, her hands resting
among her papers.
'What can you expect?' said she, 'things are turning out very badly.
I am brave, but everything seems about to fail us at once; and what
distresses me is the powerlessness to which misfortune reduces my poor
brother, for he is not valiant, he has no strength except for work.
I thought of getting another situation as governess, that I might at
least help him. But I have sought, and found nothing. Yet I cannot go
out working as a charwoman.'
Never had Saccard seen her so upset, so dejected. 'The devil! you have
not come to that!' he cried.
She shook her head, and evinced great bitterness against life, which
she usually accepted so jovially, even when at its worst. And Hamelin
just then coming in with the news of a fresh disappointment, big tears
ran slowly down her cheeks. She spoke no further, but sat there, her
hands clenched on the table, her eyes wandering away into space.
'And to think,' said Hamelin, 'that there are millions awaiting us in
the East, if someone would only help me to make them!'
Public-domain text, read in full here on John Shaqi.
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