This conversation was typical of many others in homes of equal culture,
for Bertha's position as well as her face and manner piqued curiosity.
After all, the town was a small place--just large enough to give gossip
room to play in--and the sheen of Mrs. Haney's wealth made her
conspicuous from afar, while her youth and boyish beauty had been the
subject of admiring club talk from the very first. Haney was only an old
and wounded animal, whose mate was free to choose anew.
"It makes me ache to see the girl go wrong," said Mrs. Frank Congdon,
wife of a resident portrait-painter, also in delicate health (she was
speaking to Mrs. Crego). "Think of that great house--Frank says she runs
it admirably--filled with tinkers and tailors and candlestick-makers,
not to mention touts and gamblers--when she might be entertaining--well,
us, for example!" She laughed at the unbending face of her friend; then
went on: "Dr. Cronk says the mother is a sweet old lady and of good New
England family--a constitutional Methodist, he calls her. I wish she
kept better company."
"But what can you expect of a girl brought up in a pigsty. Her mother
was mistress of a little miners' hotel in Junction City, Allen says, and
the girl boasts of it."
Mrs. Congdon smiled. "I'm dying to talk with her. She's far and away the
most interesting of our newly rich, and I like her face. Frank has
called, you know?"
"Has he?"
"On business, of course. She has decided to have him paint her husband's
picture. She's taken her first step upward, you see."
"I should think she'd be content to have her saloon-keeper husband's
face fade out of her memory."
"Frank is enthusiastic. I'm not a bit sure that he didn't suggest the
portrait. He is shameless when he takes a fancy to a face. He's wild to
paint them both and call it 'The Lion Tamer and the Lion.' He considers
Haney a great character. It seems he saw him in Cripple Creek once, and
was vastly taken by his pose. His being old and sad now--his face is one
of the saddest I ever saw--makes it all the more interesting to Frank.
So I'm going to call--in fact, we're going to lunch there soon."
"Oh, well, yes. You artists can do anything, and it's all right. You
must come over immediately afterwards and tell me all about it, won't
you?"
At this Mrs. Congdon laughed, but, being of generous mind, consented.
Public-domain text, read in full here on John Shaqi.
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