"I don't mind the calling, Frank," she briskly replied, "and I don't
much mind giving a little dinner, but I don't want to get the girl on my
mind. She has so much to learn, and I haven't the time nor energy to
teach her."
Congdon waved his finger. "Don't you grow pale over that," said he.
"That girl's no fool--she's capable of development. She will amaze you
yet."
"Well, consider it settled. I'll call this afternoon and ask her to
dinner; but don't expect me to advise her and follow her up. Now, who'll
we ask to meet her--the Cregos?"
"Yes, I'd thought of them."
"Oh, I know all about it. You needn't stammer. You and Allen are getting
a good deal out of the Haneys, and want to be decent in return. Well, I
think well of you for it, and I'll do my mite. I'll have young Fordyce
in, and Alice; being Quakers and 'plain people,' they won't mind. Ben is
crazy to see the rough side of Western life, anyway. Now run away,
little boy, and leave the whole business to me."
As Crego had said, the Congdons were privileged characters in the
Springs. They were at once haughty with the pride of esthetic
cleverness, and humble with the sense of their unworthiness in the wide
old-world of art. Lee was contemptuous of wealth when they had a pot of
beans in the house, and Frank was imperiously truculent when borrowing
ten dollars from a friend or demanding an advance of cash from a
prospective patron. They both came of long lines of native American
ancestry, and not only felt themselves as good as anybody, but a little
better than most. They gave wit for champagne, art instruction for
automobile rides, and never-failing good humor for house-room and the
blazing fires of roomy hearths.
Mrs. Congdon, of direct Virginian ancestry, was named Lee by a
state's-rights mother, who sent her abroad to "study art." She ended by
pretending to be a sculptor--and she still did occasionally model a
figurine of her friends or her friends' babies; mainly, she was the
aider and abettor of her husband, a really clever portrait-painter,
whose ill health had driven him from New York to Colorado, and who was
making a precarious living in the Springs--precarious for the reason
that on bright days he would rather play golf than handle a brush, and
on dark days he _couldn't_ see to paint (so he said). In truth, he was
not well, and his slender store of strength did not permit him to do as
he would. To cover the real seriousness of his case he loudly admitted
his laziness and incompetency.
Lee was a devoted wife, and when she realized that his interest in the
Haneys was deep and genuine her slight opposition gave way. It meant a
couple of thousand dollars to Frank, but money was the least of their
troubles--credit seemed to come along when they needed it most, and each
of them had become "trustful to the point of idiocy," Mrs. Crego was
accustomed to say. Mrs. Crego really took charge of their affairs, and
when they needed food helped them to it.
Public-domain text, read in full here on John Shaqi.
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