Without appearing to do so she saw everything in the house, which was
hardly more than an artistic camp, so far as the first floor was
concerned. Navajo rugs were on the floor, Moqui plaques starred the
walls, and Acoma ollas perched upon book-shelves of thick plank. The
chairs were rude, rough, and bolted at the joints. The room made a
pleasant impression on Bertha, though she could not have told why. The
ceiling was dark, the walls green, the woodwork stained pine, and yet it
had charm.
Mrs. Congdon explained meanwhile that Frank had made the big
centre-table of plank, and the book-shelves as well. "He likes to tinker
at such things," she said. "Whenever he gets blue or cross I set him to
shifting the dresser or making a book-shelf, and he cheers up like mad.
He's a regular kid anyway--always doing the things he ought not to do."
In this way she tried to put her guest at her ease, while Bertha sat
looking at her in an absent-minded way, apparently neither frightened
nor embarrassed--on the contrary, she seemed to be thinking of something
else. At last, to force a reply, Mrs. Congdon asked: "How do you like my
husband's portrait of Mr. Haney?"
"I don't know," she slowly replied. "It looks like him, and then again
it don't. I guess I'm not up to hand paintin's. Enlarged photographs are
about my size."
"You're disappointed, then?"
"Well, yes, I don't know but I am. I didn't think it was going to look
just that way. Mr. Congdon says blue shadows are under anybody's ears in
the light, but I can't see 'em on the Captain, and I do see 'em in the
picture; that's what gets me twisted. When I look at the picture I can't
see nothin' else."
Her hostess laughed. "I know just how you feel, but that's the insolence
of the painter--he puts on canvas what _he_ sees, not what his patron
sees. The more money you pay for a portrait the more insolent the
artist."
At this moment Mrs. Crego came in, and (as she said afterwards) was
presented to the gambler's wife "as though I were a nobody and she a
visiting countess." Bertha rose, offered her hand, like a boy, in
silence; she stood very straight, with very cold and unmistakably
suspicious face. And Alice Heath, who entered with Mrs. Crego, shared
this chill reception.
Bertha, in truth, instantly and cordially hated Mrs. Crego; but she
pitied the younger woman, in whom she detected another fugitive fighting
a losing battle with disease. Miss Heath was very fair and very frail,
with burning deep-blue eyes and a lovely mouth. She greeted Bertha with
such sincere pleasure that the girl inclined to her instantly, and they
went out on the porch together. Alice put her hand on Bertha's arm,
saying: "I've wanted to meet you, Mr. Congdon has told us so much of
you. Your life seems very romantic to me."
Public-domain text, read in full here on John Shaqi.
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