"Come in and see the house," said Bertha, in brusque invitation. "It isn't ship-shape yet. I wanted to do it all myself, but I find it's a big proposition to go up against. It sure is. But I like it. I'd like nothing better than running a big hotel--not too big, but just big enough. I tell the Captain that when our mines 'pinch out' I'll go to Denver and start a hotel." She was quite communicative, but not at ease as she led them from room to room. Her manner was rather that of one seeking to conceal trepidation, and her fluency seemed a little out of character. In fact, she was trying to make the best possible impression on these people, whose sincere interest she felt; but with Ben's eyes fixed upon her so constantly, and a knowledge of Alice's delicate wit to trouble, she was more deeply embarrassed than ever before in her life. It was not her habit to blush or stammer, and she did not do so now, but she was carried out of her wonted reticence. "As I say, we bought the place for the porch. I didn't realize what I was being let into--if I had I might have shied. We're practically lost in the place. Except when some of the people come down from camp, we're alone. My mother helps out some, but she's up at the ranch a good deal." She opened the library door, and led the way before an easel, on which stood a huge canvas. "Here's the picture Mr. Congdon is paintin' of the Captain. I wanted him taken with his hat on, but Mr. Congdon said no, and his word went. I don't know whether I like this or not. It's got me twisted." Congdon had been after psychology rather than costume, that was evident at a glance, for the clothing counted for little in the portrait. Out of the shadow the face peered sadly, yet with a kind of ferocity, too--a look which made Alice Heath recoil from the man. In a certain way the artist had taken advantage of Mart's helplessness and loneliness. He had caught the sadness, sullenness, and remorselessness of his sitter rather than his gay, good-tempered smile. The face of this man was concerned with the past, not with the future; and yet on its surface it was a good likeness, as Ben said, and had both power and distinction. "I think it a cracker-jack piece of work," he ended. Bertha replied: "I suppose it is, and yet I can't see it. I'd rather it looked the way the Captain used to when he came down to the Junction. I'm sorry to have his sickness painted in that way." "That can't be helped. These artists are queer cattle; you can't drive 'em," Ben remarked. Bertha smiled. "He wants to paint me now. 'Not on your life' says I. 'You'd be doing double stunts with my freckles, and I won't stand for it.'" She laughed. "No sir-ree, I don't let any artist tip my freckles edgewise just to see how flip he is at it. I like Mr. Congdon, but I don't trust him--he's too much of a joker."