This person, whose chestnut hair was beginning to be sprinkled with
gray, had very irregular features. His eyes were small and deep-set, of
a pale green shade, but full of fire and animation. His nose was
crooked, slightly turned up, and might almost have been called flat. His
mouth was large, but his teeth were fine, and not one was missing; so
that his smile was not unattractive, especially as he was not over
lavish of it. His chin retreated slightly, his cheek-bones, as a
contrast, were exceedingly prominent; his complexion was high-colored
and blotched, although he was thin both in body and face. With this
unpromising exterior, my gentleman seemed none the less to consider
himself an Apollo. He wore bushy mutton-chop whiskers, which almost met
in the middle of his chin, leaving between them only a very narrow
space, cleanly shaven, which he often caressed with affection, and which
he called his dimple. His manners denoted no less self-assurance than
familiarity with the world; and they would even have borne some traces
of refinement, had he not adopted a sort of mincing gait not unlike that
of a drum-major; but, instead of a great baton, this gentleman had a
slender switch, curved at the top, which seemed to have been painted and
gilded long before, but had lost a large part of its decoration. It was
a very pliable switch, with which he constantly tapped his
trousers-legs.
His costume did not indicate the dandy, although its wearer affected the
manners of one. His linen trousers, of a very large check, seemed to
have been cut from the skirt of some concierge. His waistcoat was also
of a check pattern, but its colors did not harmonize at all with those
of the trousers; nothing was wanting except the plaid to give him
altogether the aspect of a Scotch Highlander; but, instead of the plaid,
he wore a nut-brown frock-coat, with ample skirts, which he often left
unbuttoned the better to display his slender figure, and in which he
sometimes encased himself hermetically, as if it were a cloak. It is
needless to say that this costume was entirely lacking in freshness.
This personage, who had a habit of speaking always in a very loud tone,
so that everybody could hear what he said and presumably be struck with
admiration by his wit,--a method of attracting attention which enables
you to divine instantly the sort of man with whom you have to do--this
personage pushed and jostled some of the loiterers, exclaiming:
"What's all this? what's all this? a wedding party, eh? Mon Dieu! is a
wedding party such a very strange thing that everybody must stop and
push and crowd, to see the couple? Triple idiots of Parisians! On my
word, one would think they had never seen such a thing before!"
"What's that! what makes you push me so hard to get my place, if there's
nothing to look at?" said a youngster in a blouse, whom the other had
pushed away with some violence.
Public-domain text, read in full here on John Shaqi.
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