"Sacrebleu! what is this?" cried Cherami, roughly pushing back the
waiter, who stood by the door in open-mouthed amazement at the caress he
had received.--"Why the devil do you come up under my nose, waiter?
Plague take the knave! I said to myself: 'Gad! this young lady uses very
cheap soap!'"
"Pardon, monsieur; it isn't my fault; I was coming in, and you ran into
my arms. I know well enough that it wasn't me you meant to embrace."
"It's lucky that you understand that."
"Waiter, what are the ladies doing now?"
"They are all going away, monsieur."
"And the men?"
"Some of them have gone, too; but many stayed, and are playing cards."
"And the Blanquette party, waiter--what are they doing now?"
"The Blanquette party are still at table, monsieur, and singing."
"Ah! I recognize them by that. They'll sit at table till ten o'clock,
those people; the petty bourgeois sing at dessert, which is very bad
form. However, I confess that I have sometimes gone so far as to hum a
ditty myself; I have even composed one on occasion, one which Panard or
Colle wouldn't have been ashamed to father. But I like a touch of smut
myself; don't talk to me of your insipid ballads about roses and zephyrs
and the springtime; no, nor your political ballads either; I abominate
them; and yet, that's the kind of thing that makes great reputations;
and I know men who would have been nothing more than common
ballad-mongers, if they hadn't flattered parties and passions, and who
have reached the very pinnacle of fame because they always end their
couplets with the words _fatherland_ and _liberty_. O Armand Gouffe! O
Desaugiers! you didn't resort to such methods, so very little is heard
of you. You are none the less the real French ballad-makers; your
fruitful and vigorous muse has discovered innumerable varied subjects
and described them in song, which is much more difficult than to keep
harping on the same refrain."
"But, my dear Monsieur Arthur, now that I am waiting for the return of
the bride, to whom I shall say adieu forever, if your affairs call you
elsewhere, do not hesitate to go. Leave me; I have abused your
good-nature too far already."
"I, leave you! No, indeed! What do you take me for?--What! after
accepting your suggestion that we should dine together, leave you all of
a sudden at dessert? Fie! Only a cad would do that; and, thank God! I
know what good-breeding is. Tell me, do I annoy you? Is my presence
distasteful to you?"
"Ah! far from it, my dear sir; you have shown an interest in my affairs,
which I shall never forget."
"We were born to be friends, and we are; that is settled, your affairs
are mine, what concerns you concerns me. Wherever there is danger for
you, it is my duty to look after you; and, you understand, if, while you
are talking with the bride, her new husband should happen to come
prowling about here, I will just step in front of him and say: 'I am
very sorry, my boy, but you can't pass!'"
Public-domain text, read in full here on John Shaqi.
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