“So happy, my dear friend, that I am sometimes uneasy, for the good
God is too kind to me. It is true, though, I had to work very hard. For
instance, I passed two years in Spain--in the mountains of that infernal
country. There I built a fairy palace for the Marquis of Buena-Vista, a
great nobleman, who had seen my plan at the Exhibition and was delighted
with it. This was the beginning of my fortune; but you must not imagine
that my profession alone has enriched me so quickly. I made some
successful speculations--some unheard of chances in lands; and, I beg
you to believe, honestly, too. Still, I am not a millionaire; but you
know I had nothing, and my wife less; now, my house paid for, we have
ten thousand francs’ income left. It is not a fortune for us, living in
this style; but I still work and keep good courage, and my Juliette is
happy in her paradise!”
“She wears no more soiled cuffs, then?” said Camors.
“I warrant she does not! Indeed, she has a slight tendency to
luxury--like all women, you know. But I am delighted to see you remember
so well our college follies. I also, through all my distractions, never
forgot you a moment. I even had a foolish idea of asking you to my
wedding, only I did not dare. You are so brilliant, so petted, with your
establishment and your racers. My wife knows you very well; in fact, we
have talked of you a hundred thousand times. Since she patronizes the
turf and subscribes for ‘The Sport’, she says to me, ‘Your friend’s
horse has won again’; and in our family circle we rejoice over your
triumphs.”
A flush tinged the cheek of Camors as he answered, quietly, “You are
really too good.”
They walked a moment in silence over the gravel path bordered by grass,
before Lescande spoke again.
“And yourself, dear friend, I hope that you also are happy.”
“I--happy!” Camors seemed a little astonished. “My happiness is simple
enough, but I believe it is unclouded. I rise in the morning, ride to
the Bois, thence to the club, go to the Bois again, and then back to the
club. If there is a first representation at any theatre, I wish to see
it. Thus, last evening they gave a new piece which was really exquisite.
There was a song in it, beginning:
‘He was a woodpecker,
A little woodpecker,
A young woodpecker--’
and the chorus imitated the cry of the woodpecker! Well, it was
charming, and the whole of Paris will sing that song with delight for a
year. I also shall do like the whole of Paris, and I shall be happy.”
“Good heavens! my friend,” laughed Lescande, “and that suffices you for
happiness?”
“That and--the principles of ‘eighty-nine,” replied Camors, lighting a
fresh cigar from the old one.
Here their dialogue was broken by the fresh voice of a woman calling
from the blinds of the balcony--
“Is that you, Theodore?”
Camors raised his eyes and saw a white hand, resting on the slats of the
blind, bathed in sunlight.
Public-domain text, read in full here on John Shaqi.
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