For a few moments he leaned over the balustrade of the terrace and
looked around. The night, clear and beautiful, enveloped in its shadowy
veil the widestretching fields, and a solemn stillness, strange to
Parisian ears, reigned around him, broken only at intervals by the
distant bay of a hound, rising suddenly, and dying into peace again. His
eyes becoming accustomed to the darkness, Camors descended the terrace
stairs and passed into the old avenue, which was darker and more solemn
than a cathedral-aisle at midnight, and thence into an open road into
which it led by chance.
Strictly speaking, Camors had never, until now, been out of Paris; for
wherever he had previously gone, he had carried its bustle, worldly and
artificial life, play, and the races with him; and the watering-places
and the seaside had never shown him true country, or provincial life. It
gave him a sensation for the first time; but the sensation was an odious
one.
As he advanced up this silent road, without houses or lights, it seemed
to him he was wandering amid the desolation of some lunar region. This
part of Normandy recalled to him the least cultivated parts of Brittany.
It was rustic and savage, with its dense shrubbery, tufted grass, dark
valleys, and rough roads.
Some dreamers love this sweet but severe nature, even at night; they
love the very things that grated most upon the pampered senses of
Camors, who strode on in deep disgust, flattering himself, however, that
he should soon reach the Boulevard de Madeleine. But he found, instead,
peasants’ huts scattered along the side of the road, their low, mossy
roofs seeming to spring from the rich soil like an enormous fungus
growth. Two or three of the dwellers in these huts were taking the fresh
evening air on their thresholds, and Camors could distinguish through
the gloom their heavy figures and limbs, roughened by coarse toil in the
fields, as they stood mute, motionless, and ruminating in the darkness
like tired beasts.
Public-domain text, read in full here on John Shaqi.
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