It was necessary, then, for him to arm himself with new and infallible
proofs; but if the intrigue he was required to unmask still existed, he
did not despair of detecting something certain, aided by the general
knowledge he had of the private habits and ways of Camors. This was the
task to which he applied himself from this moment, day and night, with an
evil ardor of hate and jealousy. The absolute confidence which the
General reposed in his wife and Camors after the latter's marriage with
Marie de Tecle, had doubtless allowed them to dispense with much of the
mystery and adventure of their intrigue; but that which was ardent,
poetic, and theatrical to the Marquise's imagination had not been lost.
Love alone was not sufficient for her. She needed danger, scenic effect,
and pleasure heightened by terror. Once or twice, in the early time, she
was reckless enough to leave her house during the night and to return
before day. But she was obliged to renounce these audacious flights,
finding them too perilous.
These nocturnal interviews with M. de Camors were rare, and she had
usually received him at home. This was their arrangement: An open space,
sometimes used as a woodyard, was next the garden of the Hotel
Campvallon. The General had purchased a portion of it and had had a
cottage erected in the midst of a kitchen-garden, and had placed in it,
with his usual kind-heartedness, an old 'sous-officier', named Mesnil,
who had served under him in the artillery. This Mesnil enjoyed his
master's confidence. He was a kind of forester on the property; he lived
in Paris in the winter, but occasionally passed two or three days in the
country whenever the General wished to obtain information about the
crops. Madame de Campvallon and M. de Camors chose the time of these
absences for their dangerous interviews at night. Camors, apprised from
within by some understood signal, entered the enclosure surrounding the
cottage of Mesnil, and thence proceeded to the garden belonging to the
house. Madame de Campvallon always charged herself with the peril that
charmed her--with keeping open one of the windows on the ground floor.
The Parisian custom of lodging the domestics in the attics gave to this
hardihood a sort of security, notwithstanding its being always hazardous.
Near the end of May, one of these occasions, always impatiently awaited
on both sides, presented itself, and M. de Camors at midnight penetrated
into the little garden of the old 'sous-officier'. At the moment when he
turned the key in the gate of the enclosure, he thought he heard a slight
sound behind him. He turned, cast a rapid glance over the dark space
that surrounded him, and thinking himself mistaken, entered. An instant
after, the shadow of a man appeared at the angle of a pile of lumber,
which was scattered over the carpenter's yard. This shadow remained for
some time immovable in front of the windows of the hotel and then plunged
again into the darkness.
Public-domain text, read in full here on John Shaqi.
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