Monsieur du Miroir (From "Mosses from an Old Manse")Hawthorne, Nathaniel
General
Monsieur du Miroir (From "Mosses from an Old Manse")
Hawthorne, Nathaniel
New England -- Social life and customs -- Fiction; Short stories
French call nature’s font of sacramental water, and used it in their
log-churches here and their cathedrals beyond the sea, and seen him far
below in that pure element. At Niagara, too, where I would gladly have
forgotten both myself and him, I could not help observing my companion
in the smooth water on the very verge of the cataract just above the
Table Rock. Were I to reach the sources of the Nile, I should expect to
meet him there. Unless he be another Ladurlad, whose garments the depth
of ocean could not moisten, it is difficult to conceive how he keeps
himself in any decent pickle; though I am bound to confess that his
clothes seem always as dry and comfortable as my own. But, as a friend,
I could wish that he would not so often expose himself in liquor.
All that I have hitherto related may be classed among those little
personal oddities which agreeably diversify the surface of society,
and, though they may sometimes annoy us, yet keep our daily intercourse
fresher and livelier than if they were done away. By an occasional
hint, however, I have endeavored to pave the way for stranger things to
come, which, had they been disclosed at once, Monsieur du Miroir might
have been deemed a shadow, and myself a person of no veracity, and this
truthful history a fabulous legend. But, now that the reader knows me
worthy of his confidence, I will begin to make him stare.
To speak frankly, then, I could bring the most astounding proofs that
Monsieur du Miroir is at least a conjurer, if not one of that unearthly
tribe with whom conjurers deal. He has inscrutable methods of conveying
himself from place to place with the rapidity of the swiftest steamboat
or rail-car. Brick walls and oaken doors and iron bolts are no
impediment to his passage. Here in my chamber, for instance, as the
evening deepens into night, I sit alone,—the key turned and withdrawn
from the lock, the keyhole stuffed with paper to keep out a peevish
little blast of wind. Yet, lonely as I seem, were I to lift one of the
lamps and step five paces eastward, Monsieur du Miroir would be sure to
meet me with a lamp also in his hand; and were I to take the
stage-coach to-morrow, without giving him the least hint of my design,
and post onward till the week’s end, at whatever hotel I might find
myself I should expect to share my private apartment with this
inevitable Monsieur du Miroir. Or, out of a mere wayward fantasy, were
I to go, by moonlight, and stand beside the stone Pout of the Shaker
Spring at Canterbury, Monsieur du Miroir would set forth on the same
fool’s errand, and would not fail to meet me there. Shall I heighten
the reader’s wonder? While writing these latter sentences, I happened
to glance towards the large, round globe of one off the brass andirons,
and lo! a miniature apparition of Monsieur du Miroir, with his face
widened and grotesquely contorted, as if he were making fun of my
amazement! But he has played so many of these jokes that they begin to
lose their effect.
Public-domain text, read in full here on John Shaqi.
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