Detective and mystery stories; Murder -- Investigation -- Fiction
Then came the episode of Sebastian Melstane, who had met Florry in
London, and she, reckless in all things, had given away her frivolous
little heart to this handsome, dark-haired artist. On making
inquiries, Mr. Marson had found out sufficient about Mr. Melstane's
past life to make him resolve his darling should never marry such a
scamp, and he forbade Florry to think of him. Upon which Miss Florry,
with her silly little head stuffed full of poetry and romance,
regarded Melstane as a persecuted hero, and on his coming to
Ironfields met him by stealth, wrote him letters, exchanged presents,
and in fact did everything a foolish girl would do when flattered and
loved by a romantic scamp.
Roger Axton, knowing Melstane's bad character, had put an end to these
stolen meetings by telling Judith, and Florry was carried off to
Ventnor. While there she still sighed after her lover, and when she
returned to Ironfields saw him with difficulty, as Judith was too
vigilant to let her remain long out of her sight. Then Melstane went
to Jarlchester, and Florry said to Judith with many tears and sighs
that she would be true to him, although she had now been engaged for
some time to Mr. Jackson Spolger, the son of a man who had made his
money out of a patent medicine.
Francis Marson had set his heart on this match, and although Florry
violently protested against it, insisted that she should become
engaged to Mr. Spolger, as he was anxious to place her beyond the
power of Sebastian Melstane, and, moreover, Jackson Spolger was too
wealthy a suitor to be rejected lightly.
Some days after Fanks' visit to Monsieur Judas at the end of November,
Judith and Florry were both in the drawing-room of the Hall having
afternoon tea.
It was a large, handsome apartment, furnished with great artistic
taste, principally due to Miss Varlins, who had a wonderful eye for
colour and effect. A curiously carved oaken ceiling, walls draped with
dark red velvet which fell in heavy folds to the velvet pile carpet of
the same colour, plenty of sombre pictures in oil in tarnished gilt
frames, many small tables covered with nicknacks (selected by
frivolous Florry), numbers of comfortable lounging-chairs, inviting
repose, and a handsome grand piano littered with loose music (Florry
again)--it was truly a delightful room. Then there were cabinets of
rare china, monstrous jars of quaint design and bizarre colours, and
flowers, flowers, flowers everywhere. Both ladies had a perfect
passion for flowers, and even in this bleak month of November the most
exquisite exotics were to be seen throughout the room in profusion,
filling the air with their heavy odours.
Public-domain text, read in full here on John Shaqi.
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