Monsieur, Madame, and Bébé — CompleteDroz, Gustave
General
Monsieur, Madame, and Bébé — Complete
Droz, Gustave
Family life -- Fiction; French fiction -- Translations into English
On examining my friend’s wife, I saw that my first impression had not
been erroneous--she was literally a little angel, and a little angel in
the shape of a woman, which is all the better. She was delicate, slender
as a young girl; her voice was as thrilling and harmonious as the
chaffinch, with an indefinable accent that smacked of no part of the
country in particular, but lent a charm to her slightest word. She had,
moreover, a way of speaking of her own, a childish and coquettish way
of modulating the ends of her sentences and turning her eyes toward her
husband, as if to seek for his approbation. She blushed every moment,
but at the same time her smile was so bewitching and her teeth so white
that she seemed to be laughing at herself. A charming little woman! Add
to this a strange yet tasteful toilette, rather daring, perhaps, but
suiting this little queen, so singular in herself. Her beautiful fair
hair, twisted up apparently at hazard, was fixed rather high up on the
head by a steel comb worn somewhat on one side; and her white muslin
dress trimmed with wide, flat ruches, cut square at the neck, short in
the skirt, and looped up all round, had a delicious eighteenth-century
appearance. The angel was certainly a trifle coquettish, but in her own
way, and yet her way was exquisite.
Hardly were we seated at table when Oscar threw toward his little queen
a rapid glance, but one so full of happiness and-why should I not
say it?--love that I experienced a kind of shiver, a thrill of envy,
astonishment, and admiration, perhaps. He took from the basket of
flowers on the table a red rose, scarcely opened, and, pushing it toward
her, said with a smile:
“For your hair, Madame.”
The fair girl blushed deeply, took the flower, and, without hesitation,
quickly and dexterously stuck it in her hair, high up on the left,
just in the right spot, and, delightedly turning round to each of us,
repeated several times, amid bursts of laughter, “Is it right like
that?”
Then she wafted a tiny kiss with the tips of her fingers to her husband,
as a child of twelve would have done, and gayly plunged her spoon into
the soup, turning up her little finger as she did so.
The other guests had nothing very remarkable about them; they laughed
very good-naturedly at these childish ways, but seemed somewhat out of
place amid all this charming freedom from restraint. The cousin, above
all, the angler, with his white waistcoat, his blue tie, his full beard,
and his almond eyes, especially displeased me. He rolled his r’s like
an actor at a country theatre. He broke his bread into little bits and
nibbled them as he talked. I divined that the pleasure of showing off a
large ring he wore had something to do with this fancy for playing with
his bread. Once or twice I caught a glance of melancholy turned toward
the mistress of the house, but at first I did not take much notice of
it, my attention being attracted by the brilliant gayety of Oscar.
Public-domain text, read in full here on John Shaqi.
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