Cathédrale de Chartres; Civilization, Medieval; Mont-Saint-Michel (Abbey : France)
her, and by her policy as peacemaker for the good of Guienne, most
of the disasters of England and France might have been postponed for
the time; but we can never know the truth, for monks and historians
abhor emancipated women,--with good reason, since such women are apt
to abhor them,--and the quarrel can never be pacified. Historians
have commonly shown fear of women without admitting it, but the man
of the Middle Ages knew at least why he feared the woman, and told
it openly, not to say brutally. Long after Eleanor and Blanche were
dead, Chaucer brought the Wife of Bath on his Shakespearean stage,
to explain the woman, and as usual he touched masculine frailty with
caustic, while seeming to laugh at woman and man alike:--
"My liege lady! generally," quoth he,
"Women desiren to have soverainetee."
The point was that the Wife of Bath, like Queen Blanche and Queen
Eleanor, not only wanted sovereignty, but won and held it.
That Saint Louis, even when a grown man and king, stood in awe of
his mother, Blanche of Castile, was not only notorious but seemed to
be thought natural. Joinville recorded it not so much to mark the
King's weakness, as the woman's strength; for his Queen, Margaret of
Provence, showed the courage which the King had not. Blanche and
Margaret were exceedingly jealous of each other. "One day," said
Joinville, "Queen Blanche went to the Queen's [Margaret] chamber
where her son [Louis IX] had gone before to comfort her, for she was
in great danger of death from a bad delivery; and he hid himself
behind the Queen [Margaret] to avoid being seen; but his mother
perceived him, and taking him by the hand said: 'Come along! you
will do no good here!' and put him out of the chamber. Queen
Margaret, observing this, and that she was to be separated from her
husband, cried aloud: 'Alas! will you not allow me to see my lord
either living or dying?'" According to Joinville, King Louis always
hid himself when, in his wife's chamber, he heard his mother coming.
The great period of Gothic architecture begins with the coming of
Eleanor (1137) and ends with the passing of Blanche (1252).
Eleanor's long life was full of energy and passion of which next to
nothing is known; the woman was always too slippery for monks or
soldiers to grasp.
Public-domain text, read in full here on John Shaqi.
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