Cathédrale de Chartres; Civilization, Medieval; Mont-Saint-Michel (Abbey : France)
"It is a beast that brays; I saw three yesterday on the road, all
with loads going to the mill. Is that what you ask?" That is not
what the squire has asked, and he is conscious that Marion knows it,
but he tries again. If she has not seen a duck, perhaps she has seen
a heron:--
Hairons, sire? par me foi, non!
Je n'en vi nesun puis quareme
Que j'en vi mengier chies dame Eme
Me taiien qui sorit ches brebis.
"Heron, sir! by my faith, no! I've not seen one since Lent when I
saw some eaten at my grandmother's--Dame Emma who owns these sheep."
"Hairons," it seems, meant also herring, and this wilful
misunderstanding struck the chevalier as carrying jest too far:--
Par foi! or suis j'ou esbaubis!
N'ainc mais je ne fui si gabes!
"On my word, I am silenced! never in my life was I so chaffed!"
Marion herself seems to think her joke a little too evident, for she
takes up the conversation in her turn, only to conclude that she
likes Robin better than she does the knight; he is gayer, and when
he plays his musette he starts the whole village dancing. At this,
the squire makes a declaration of love with such energy as to spur
his horse almost over her:--
Aimi, sirel ostez vo cheval!
A poi que il ne m'a blechie.
Li Robin ne regiete mie
Quand je voie apres se karue.
"Aimi!" is an exclamation of alarm, real or affected: "Dear me, sir!
take your horse away! he almost hurt me! Robin's horse never rears
when I go behind his plough!" Still the knight persists, and though
Marion still tells him to go away, she asks his name, which he says
is Aubert, and so gives her the catchword for another song:--"Vos
perdes vo paine, sire Aubert!"--which ends the scene with a duo. The
second scene begins with a duo of Marion and Robin, followed by her
giving a softened account of the chevalier's behaviour, and then
they lunch on bread and cheese and apples, and more songs follow,
till she sends him to get Baldwin and Walter and Peronette and the
pipers, for a dance. In his absence the chevalier returns and
becomes very pressing in his attentions, which gives her occasion to
sing:-
J'oi Robin flagoler
Au flagol d'argent.
When Robin enters, the knight picks a quarrel with him for not
handling properly the falcon which he has caught in the hedge; and
Robin gets a severe beating. The scene ends by the horseman carrying
off Marion by force; but he soon gets tired of carrying her against
her will, and drops her, and disappears once for all.
Certes voirement sui je beste
Quant a ceste beste m'areste.
Adieu, bergiere!
Public-domain text, read in full here on John Shaqi.
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