Cathédrale de Chartres; Civilization, Medieval; Mont-Saint-Michel (Abbey : France)
No one should try to render this into English--or, indeed, into
modern French--verse, but any one who will take the trouble to catch
the metre and will remember that each verse in the "leash" ends in
the same sound,--aimer, parler, cler, mortel, damnede, mel, deu,
suef, nasel,--however the terminal syllables may be spelled, can
follow the feeling of the poetry as well as though it were Greek
hexameter. He will feel the simple force of the words and action, as
he feels Homer. It is the grand style,--the eleventh century:--
Ferut vus ai! Kar le me pardunez!
Not a syllable is lost, and always the strongest syllable is chosen.
Even the sentiment is monosyllabic and curt:--
Ja est co Rollanz ki tant vus soelt amer!
Taillefer had, in such a libretto, the means of producing dramatic
effects that the French comedy or the grand opera never approached,
and such as made Bayreuth seem thin and feeble. Duke William's
barons must have clung to his voice and action as though they were
in the very melee, striking at the helmets of gemmed gold. They had
all been there, and were to be there again. As the climax
approached, they saw the scene itself; probably they had seen it
every year, more or less, since they could swing a sword. Taillefer
chanted the death of Oliver and of Archbishop Turpin and all the
other barons of the rear guard, except Roland, who was left for dead
by the Saracens when they fled on hearing the horns of Charlemagne's
returning host. Roland came back to consciousness on feeling a
Saracen marauder tugging at his sword Durendal. With a blow of his
ivory horn--oliphant--he killed the pagan; then feeling death near,
he prepared for it. His first thought was for Durendal, his sword,
which he could not leave to infidels. In the singular triple
repetition which gives more of the same solidity and architectural
weight to the verse, he made three attempts to break the sword, with
a lament--a plaint--for each. Three times he struck with all his
force against the rock; each time the sword rebounded without
breaking. The third time--
Rollanz ferit en une pierre bise
Plus en abat que jo ne vus sai dire.
L'espee cruist ne fruisset ne ne briset
Cuntre le ciel amunt est resortie.
Quant veit li quens que ne la fraindrat mie
Mult dulcement la plainst a sei meisme.
"E! Durendal cum ies bele e saintisme!
En l'oret punt asez i ad reliques.
La dent saint Pierre e del sanc seint Basilie
E des chevels mun seignur seint Denisie
Del vestment i ad seinte Marie.
Il nen est dreiz que paien te baillisent.
De chrestiens devez estre servie.
Ne vus ait hum ki facet cuardie!
Mult larges terres de vus averai cunquises
Que Carles tient ki la barbe ad flurie.
E li emperere en est e ber e riches."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account