Montezuma's DaughterHaggard, H. Rider (Henry Rider)
History
Montezuma's Daughter
Haggard, H. Rider (Henry Rider)
Mexico -- History -- Conquest, 1519-1540 -- Fiction
At the far end of the passage we found a stair down which we passed. At
its foot was an iron-bound door that the monk unlocked and locked again
upon the further side. Then came another passage hollowed in the
thickness of the wall, and a second door, and we were in the place of
death.
It was a vault low and damp, and the waters of the river washed its
outer wall, for I could hear their murmuring in the silence. Perhaps
the place may have measured ten paces in length by eight broad. For the
rest its roof was supported by massive columns, and on one side there
was a second door that led to a prison cell. At the further end of this
gloomy den, that was dimly lighted by torches and lamps, two men with
hooded heads, and draped in coarse black gowns, were at work, silently
mixing lime that sent up a hot steam upon the stagnant air. By their
sides were squares of dressed stone ranged neatly against the end of
the vault, and before them was a niche cut in the thickness of the wall
itself, shaped like a large coffin set upon its smaller end. In front
of this niche was placed a massive chair of chestnut wood. I noticed
also that two other such coffin-shaped niches had been cut in this same
wall, and filled in with similar blocks of whitish stone. On the face
of each was a date graved in deep letters. One had been sealed up some
thirty years before, and one hard upon a hundred.
These two men were the only occupants of the vault when we entered it,
but presently a sound of soft and solemn singing stole down the second
passage. Then the door was opened, the mason monks ceased labouring at
the heap of lime, and the sound of singing grew louder so that I could
catch the refrain. It was that of a Latin hymn for the dying. Next
through the open door came the choir, eight veiled nuns walking two by
two, and ranging themselves on either side of the vault they ceased
their singing. After them followed the doomed woman, guarded by two
more nuns, and last of all a priest bearing a crucifix. This man wore a
black robe, and his thin half-frenzied face was uncovered. All these
and other things I noticed and remembered, yet at the time it seemed to
me that I saw nothing except the figure of the victim. I knew her
again, although I had seen her but once in the moonlight. She was
changed indeed, her lovely face was fuller and the great tormented eyes
shone like stars against its waxen pallor, relieved by the carmine of
her lips alone. Still it was the same face that some eight months
before I had seen lifted in entreaty to her false lover. Now her tall
shape was wrapped about with grave clothes over which her black hair
streamed, and in her arms she bore a sleeping babe that from time to
time she pressed convulsively to her breast.
Public-domain text, read in full here on John Shaqi.
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