His object was to explain the physical and natural history of the
country to encourage colonization. He expresses surprise that the
country still remained inadequately populated, but he warns Colbert
against any policy of sending criminals to this country. Tramps were
not wanted in Canada. If any insinuated themselves they knew, how to
hang them, as elsewhere. Doubtful women were not tolerated either.
Those women that came were vouched for by responsible persons or
relatives.
Speaking of the climate he says: "From the beginning of May, the heat
is extremely great, though we are only coming out of the depth of
winter. This is the reason why everything goes ahead and in less than
no time the earth is covered with verdure. It is remarkable that the
wheat sown at the end of April or as late as May 21st is harvested in
September. The winter is very cold, but it is a bright frost, and for
the most part the days are beautiful and serene.
"Mont Royal, the last of our settlements, is situated on a beautiful
and great island. The lands are very good and produce grain in
abundance; everything is going on well there; fishing and hunting are
also very good."
Montreal is described as having a rich soil, but requiring horses[92] to
till it. As these are expensive he hopes the "bon roi" would assist,
especially by exterminating the Iroquois, who killed the cattle. Most
of its trees were oak. There was no hemp, but the soil was suitable for
its cultivation.
Speaking of the caribous he says that the males have forked feet, which
in running, open so widely that they never sink in the winter snows no
matter how deep these may be. He speaks of the skill of the beavers in
constructing their dams, which the waters cannot break through, saying
that they thus arrest the courses of little streams, inundating a great
part of the country and forming pools for them in which to play and to
have their dwellings. The savages had the greatest difficulty on their
hunting expeditions in destroying these dams.
Public-domain text, read in full here on John Shaqi.
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