The memory of Rasco’s suggests that of the famous “Dolly,” J.H. Isaacson, who came out from England as a waiter here in 1838, but afterwards started for himself in a restaurant on St. François Xavier Street overlooking the Garden of the Seminary. He later moved to St. James Street, close to St. Lawrence Hall, a famous hostelry of this period, built in 1851, on the site where the Royal Bank now stands. His chop house became famous as “Dolly’s” from the original “Dolly’s” in London. Dolly, a little typical old John Bull of a Boniface, with shining face beaming benevolence, with a ready fund of repartee and trenchant criticism, and resplendent in velvet coat, knee breeches and irreproachable calves, white silk stockings and silver buckles on his shoes, was in great favour with the military. The social life of the period found one of its highest points of reflex in Rasco’s Hotel, on Bonsecours Street, which still stands, though with diminished glory. But when it was opened on May 1, 1836, it was, during the Union, the resort of the fine people of the time. It had the politicians gathered together during the rebellion of 1837 and it was for long the home for banquets. It expressed the social life of the time. The garrison officers knew it well. Distinguished strangers put up there as did Charles Dickens, who arrived from Niagara Falls in the spring of 1842. As private theatricals were then the rage, and were greatly promoted by the officers to while away the time, the histrionic ability of the great novelist was called into requisition at the first Theatre Royal, standing nearly opposite until it was pulled down to make room for the Bonsecours Market. In one of the author’s letters from Montreal quoted in Forster’s “Life of Charles Dickens,” he says: “The theatricals, I think I told you I had been invited to play with the officers of the Coldstream Guards here, are ‘A Roland for an Oliver,’ ‘Two O’Clock in the Morning,’ and either ‘The Young Widow,’ or ‘Deaf as a Post,’ Ladies (unprofessional) are going to play for the first time.” His last letter, dated from Rasco’s Hotel, Montreal, Canada, 26th of May, 1842, described the private theatricals and inclosed a bill of the play: “The play came off last night, the audience, between five and six hundred strong, were invited as to a party, a regular table with refreshments being spread in the lobby and saloon. We had the band of the 23d (one of the finest in the service) in the orchestra; the theatre was lighted with gas, the scenery was excellent and the properties were all brought from the private houses. Sir Charles Bagot, Sir Richard Jackson and their staffs were present, and as the military portion of the audience were all in uniform it was really a splendid scene.