Monumental JavaScheltema, J. F. (Johann Friedrich )
History
Monumental Java
Scheltema, J. F. (Johann Friedrich )
Indonesia -- Antiquities; Java (Indonesia) -- Antiquities; Monuments -- Indonesia -- Java
according to his story, for seventy guilders (less than £6); he wanted
more to part with this one and it is certainly worth many and many times
that sum; a change in the usual sordid Government practice would result
in remarkable discoveries; recently, as Dr. L. told me, an inscribed
stone was laid bare; when trying to have a look at it the same day, his
informant told him that it had already been spirited away to prevent
_susah_ (trouble); not much is necessary to be sentenced to _krakal_
(hard labour in the chain-gang) at Wonosobo.
It is true the Government sent some one to the Diëng, about fifty years
ago, to photograph the temples as they then existed and, fortunately,
the operator chosen was I. van Kinsbergen who, having made his début in
Java as a member of an opera-troupe, developed a rare artistic sense
in portraying the deteriorating outlines of the ancient fanes of the
island. But there the matter rested until the complaints became too loud
and in 1910 hopes were held out that steps would be taken to clear the
ruins of parasitic vegetation, to drain the plateau by repairing the
trenches and conduits still in working order since the Hindu period,
incidentally to consider the possibility of restoring the sanctuaries
not yet tumbled down. Names I heard in connection with this charge,
make me tremble, writes a correspondent from Batavia, for a repetition
of the vandalism committed in the plain of Prambanan, particularly
the criminal assaults on the _chandi_ Plahosan and the _chandi_ Sewu,
where a Government commissioner tried to arrest further decay on the
homoeopathic principle: _similia similibus curantur_. Government
solicitude for conservation proves often more destructive than simple
neglect and, to take an illustration from the Diëng itself (others will
be culled in the course of my observations, from a plentiful supply of
official _bêtises_ and _bévues_, if not worse, in other localities), no
sooner was general attention drawn to the enigmatic sign, described by
Junghuhn and copied in his standard work from a rock between the lakes
Warna and Pengilon, than it began to fade. Still quite clear in 1885
and up to 1895, despite its having been exposed to wind and weather
during ten centuries (as surmised), it became fainter and fainter after
that year, the process of a gradual loss of colour being duly noted at
subsequent visits, until in 1902 I found it hardly distinguishable. To
make up for the injury, a Contrôleur discovered, in 1889, supplementary
tokens, not black but red, on the same Batu Tulis, or Watu Ketèq as
the natives rather call it, “monkey-stone”, because they recognise in
the figure recorded by Junghuhn, a likeness to the animal referred to.
The smaller red letters, or whatever they were intended for, steadily
increasing in number, appearing in places where I had never noticed
anything before, I could not help suspecting the little shepherds who
look so innocent and shy and hardly venture an answer when spoken to, of
Public-domain text, read in full here on John Shaqi.
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