_Chandi_ Panataran (Archaeological Service through Charls and van Es) 164 19. _Chandi_ Kalasan (C. Nieuwenhuis) 181 20. _Chandi_ Sari (C. Nieuwenhuis) 185 21. _Raksasa_ of the _Chandi_ Sewu (Centrum) 191 22. Detail of the _Chandi_ Sewu (Archaeological Service through Charls and van Es) 199 23. _Chandi_ Mendoot before its Restoration (Cephas Sr.) 211 24. _Chandi_ Mendoot after its Restoration (Archaeological Service) 215 25. Interior of the _Chandi_ Mendoot (Cephas Sr.) 223 26. The _Chandi_ Pawon and the Randu Alas (C. Nieuwenhuis) 229 27. The _Chandi_ Pawon divorced and restored (Centrum) 230 28. Base of the Boro Budoor showing the (filled up) lowest Gallery (C. Nieuwenhuis) 242 29. Detail of the Boro Budoor (C. Nieuwenhuis) 244 30. Detail of the Boro Budoor (C. Nieuwenhuis) 247 31. Detail of the Boro Budoor (Centrum) 249 32. Detail of the Boro Budoor (C. Nieuwenhuis) 252 33. Detail of the Boro Budoor (C. Nieuwenhuis) 254 34. A Dhyani Buddha of the Boro Budoor (Cephas Sr.) 256 35. Reliefs of the Boro Budoor (C. Nieuwenhuis) 259 36. Ascending the Boro Budoor (Cephas Sr.) 261 37. Reaching the Circular Terraces of the Boro Budoor (Cephas Sr.) 264 38. Ascending to the Dagob of the Boro Budoor (Cephas Sr.) 270 39. The Dagob of the Boro Budoor before its Restoration (C. Nieuwenhuis) 276 40. The Dagob of the Boro Budoor after its Restoration (Archaeological Service) 280 [Illustration] CHAPTER I THE COUNTRY, THE PEOPLE AND THEIR WORK It is the crowning virtue of all great Art that, however little is left of it by the injuries of time, that little will be lovely. JOHN RUSKIN, _Mornings in Florence (Santa Croce)_.