Short stories; United States -- Social life and customs -- 20th century -- Fiction
“Whatcher turn?” he demanded, ere half her brief application had left
her lips.
“Sentimental soloist, soprano,” she answered promptly, remembering
Irwin’s advice to talk up.
“Whatcher name?” Mr. Symes asked, scarcely deigning to glance at her.
She hesitated. So rapidly had she been rushed into the adventure that
she had not considered the question of a name at all.
“Any name? Stage name?” he bellowed impatiently.
“Nan Bellayne,” she invented on the spur of the moment.
“B-e-l-l-a-y-n-e. Yes, that’s it.”
He scribbled it into a notebook. “All right. Take your turn Wednesday
and Saturday.”
“How much do I get?” Edna demanded.
“Two-an’-a-half a turn. Two turns, five. Getcher pay first Monday after
second turn.”
And without the simple courtesy of “Good day,” he turned his back on her
and plunged into the newspaper he had been reading when she entered.
Edna came early on Wednesday evening, Letty with her, and in a telescope
basket her costume—a simple affair. A plaid shawl borrowed from the
washerwoman, a ragged scrubbing skirt borrowed from the charwoman, and a
gray wig rented from a costumer for twenty-five cents a night, completed
the outfit; for Edna had elected to be an old Irishwoman singing
broken-heartedly after her wandering boy.
Though they had come early, she found everything in uproar. The main
performance was under way, the orchestra was playing and the audience
intermittently applauding. The infusion of the amateurs clogged the
working of things behind the stage, crowded the passages, dressing
rooms, and wings, and forced everybody into everybody else’s way.
This was particularly distasteful to the professionals, who carried
themselves as befitted those of a higher caste, and whose behavior
toward the pariah amateurs was marked by hauteur and even brutality. And
Edna, bullied and elbowed and shoved about, clinging desperately to her
basket and seeking a dressing room, took note of it all.
A dressing room she finally found, jammed with three other amateur
“ladies,” who were “making up” with much noise, high-pitched voices, and
squabbling over a lone mirror. Her own make-up was so simple that it was
quickly accomplished, and she left the trio of ladies holding an armed
truce while they passed judgment upon her. Letty was close at her
shoulder, and with patience and persistence they managed to get a nook
in one of the wings which commanded a view of the stage.
Public-domain text, read in full here on John Shaqi.
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