Moon of Israel: A Tale of the ExodusHaggard, H. Rider (Henry Rider)
History
Moon of Israel: A Tale of the Exodus
Haggard, H. Rider (Henry Rider)
Exodus, The -- Fiction; Jews -- History -- To 70 A.D. -- Fiction
“Do not thank me. Indeed if you are wise you will refuse. You have met
Pambasa. Well, Nehesi is Pambasa multiplied by ten, a rogue, a thief, a
bully, and one who has Pharaoh’s ear. He will make your life a
torment to you and clip every ring of gold that at length you wring out
of his grip. Moreover the place is wearisome, and I am fanciful and
often ill-humoured. Do not thank me, I say. Refuse; return to Memphis
and write stories. Shun courts and their plottings. Pharaoh himself is
but a face and a puppet through which other voices talk and other eyes
shine, and the sceptre which he wields is pulled by strings. And if
this is so with Pharaoh, what is the case with his son? Then there are
the women, Ana. They will make love to you, Ana, they even do so to me,
and I think you told me that you know something of women. Do not accept,
go back to Memphis. I will send you some old manuscripts to copy and
pay you whatever it is Nehesi allows for the librarian.”
“Yet I accept, O Prince. As for Nehesi I fear him not at all, since at
the worst I can write a story about him at which the world will laugh,
and rather than that he will pay me my salary.”
“You have more wisdom than I thought, Ana. It never came into my mind
to put Nehesi in a story, though it is true I tell tales about him
which is much the same thing.”
He bent forward, leaning his head upon his hand, and ceasing from his
bantering tone, looked me in the eyes and asked:
“Why do you accept? Let me think now. It is not because you care for
wealth if that is to be won here; nor for the pomp and show of courts;
nor for the company of the great who really are so small. For all these
things you, Ana, have no craving if I read your heart aright, you who
are an artist, nothing less and nothing more. Tell me, then, why will
you, a free man who can earn your living, linger round a throne and set
your neck beneath the heel of princes to be crushed into the common
mould of servitors and King’s Companions and Bearers of the
Footstool?”
“I will tell you, Prince. First, because thrones make history, as
history makes thrones, and I think that great events are on foot in
Egypt in which I would have my share. Secondly, because the gods bring
gifts to men only once or twice in their lives and to refuse them is to
offend the gods who gave them those lives to use to ends of which we
know nothing. And thirdly”—here I hesitated.
“And thirdly—out with the thirdly for, doubtless, it is the real
reason.”
“And thirdly, O Prince—well, the word sounds strangely upon a
man’s lips—but thirdly because I love you. From the moment that my
eyes fell upon your face I loved you as I never loved any other
man—not even my father. I know not why. Certainly it is not because
you are a prince.”
When he heard these words Seti sat brooding and so silent that, fearing
lest I, a humble scribe, had been too bold, I added hastily:
Public-domain text, read in full here on John Shaqi.
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