Moon of Israel: A Tale of the ExodusHaggard, H. Rider (Henry Rider)
History
Moon of Israel: A Tale of the Exodus
Haggard, H. Rider (Henry Rider)
Exodus, The -- Fiction; Jews -- History -- To 70 A.D. -- Fiction
Pambasa went, and presently through the curtain appeared a royal-looking
lady splendidly apparelled. She was accompanied by four waiting women
who fell back on the threshold and were no more seen. The Prince
stepped forward, took both her hands in his and kissed her on the brow,
then drew back again, after which they stood a moment looking at each
other. While they remained thus I studied her who was known throughout
the land as the “Beautiful Royal Daughter,” but whom till now I had
never seen. In truth I did not think her beautiful, although even had
she been clad in a peasant’s robe I should have been sure that she
was royal. Her face was too hard for beauty and her black eyes, with a
tinge of grey in them, were too small. Also her nose was too sharp and
her lips were too thin. Indeed, had it not been for the delicately and
finely-shaped woman’s form beneath, I might have thought that a
prince and not a princess stood before me. For the rest in most ways she
resembled her half-brother Seti, though her countenance lacked the
kindliness of his; or rather both of them resembled their father,
Meneptah.
“Greeting, Sister,” he said, eyeing her with a smile in which I
caught a gleam of mockery. “Purple-bordered robes, emerald necklace
and enamelled crown of gold, rings and pectoral, everything except a
sceptre—why are you so royally arrayed to visit one so humble as your
loving brother? You come like sunlight into the darkness of the
hermit’s cell and dazzle the poor hermit, or rather hermits,” and
he pointed to me.
“Cease your jests, Seti,” she replied in a full, strong voice.
“I wear these ornaments because they please me. Also I have supped
with our father, and those who sit at Pharaoh’s table must be
suitably arrayed, though I have noted that sometimes you think
otherwise.”
“Indeed. I trust that the good god, our divine parent, is well
to-night as you leave him so early.”
“I leave him because he sent me with a message to you.” She paused,
looking at me sharply, then asked, “Who is that man? I do not know
him.”
“It is your misfortune, Userti, but one which can be mended. He is
named Ana the Scribe, who writes strange stories of great interest
which you would do well to read who dwell too much upon the outside of
life. He is from Memphis and his father’s name was—I forget what.
Ana, what was your father’s name?”
“One too humble for royal ears, Prince,” I answered, “but my
grandfather was Pentaur the poet who wrote of the deeds of the mighty
Rameses.”
“Is it so? Why did you not tell me that before? The descent should
earn you a pension from the Court if you can extract it from Nehesi.
Well, Userti, his grandfather’s name was Pentaur whose immortal
verses you have doubtless read upon temple walls, where our grandfather
was careful to publish them.”
“I have—to my sorrow—and thought them poor, boastful
stuff,” she answered coldly.
Public-domain text, read in full here on John Shaqi.
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