England -- Social life and customs -- Fiction; Triangles (Interpersonal relations) -- Fiction
Lightly and strangely, Mildred Caniper kissed the cheeks of Miriam and
Helen and shook John's hand, before she took her place beside George
Halkett, with a word of thanks. Uncle Alfred stiffly climbed to his
perch at the back, and, incommoded by his sister's box, he sat there,
clasping the handrail. A few shufflings of his feet and rearrangements
of his body told of his discomfort, and on his face there was the
knowledge that this was but the prelude to worse things. Mildred Caniper
did not look back nor wave a hand, but Uncle Alfred's unfortunate
position necessitated a direct view of his young relatives. Three times
he lifted his hat, and at last the cart swung into the road and he need
look no more.
Miriam fanned herself with her little apron. "Now, how long can we count
on in the most unfavourable circumstances?" she asked, but, to her
astonishment, the others walked off without a word. She set her teeth in
her under-lip and stared through tears at the lessening cart. She began
to sing so that she might keep down the sobs that hurt her throat, and
the words told of her satisfaction that Uncle Alfred was perched
uncomfortably on the back seat of the cart.
"And I wish he would fall off," she sang. "Oh, dear, oh, dear, oh,
dear!"
CHAPTER IX
The three did not meet again until the sun had set and the brilliant sky
had taken on the pale, cold colour in which, like a reluctant bride, it
waited for the night. Then John put away his tools and Miriam began to
stir about the house which was alive with a secret life of stone and
woodwork, of footsteps silenced long ago, and thoughts which refused to
die: then, too, Helen came back from the moor where she had gone for
comfort. Her feet were wet, her hair was for once in disarray, but her
eyes shone with a faith restored. Warring in her always were two
beliefs, one bright with the beauty and serenity which were her idea of
good, the other dark with the necessity of sacrifice and propitiation.
She had not the freedom of her youth, and she saw each good day as a
thing to be accepted humbly and ultimately to be paid for, yet she would
show no sign of fear. She had to go on steadily under the banner of a
tranquil face, and now the moor and the winds that played on it had made
that going easier.
She passed through the darkening garden, glanced at the poplars, which
looked like brooms sweeping away the early stars, and entered the house
by the kitchen door. John and Miriam sat by a leaping fire, but the room
was littered with unwashed dishes and the remains of meals.
"Well," Miriam said in answer to Helen's swift glance and the immediate
upturning of her sleeves, "why should I do it all? Look at her, John,
trying to shame me."
"I'm not. I just can't bear it."
"Have some tea first," John said.
"Let me pile up the plates."
"Have some tea," Miriam echoed, "and I'll make toast; but you shouldn't
have gone away without telling me. I didn't know where you were, and the
house was full of emptiness."
Public-domain text, read in full here on John Shaqi.
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