Moral Deliberations in Modern CinemaVaknin, Samuel
Philosophy
Moral Deliberations in Modern Cinema
Vaknin, Samuel
Motion pictures -- Reviews
To "qualify" as reality a two-way interaction must occur. One flow of
data is when reality influences the minds of people (as does the
Matrix). The obverse, but equally necessary, type of data flow is when
people know reality and influence it. The Matrix triggers a time
sensation in people the same way that the Universe triggers a time
sensation in us. Something does happen OUT THERE and it is called the
Matrix. In this sense, the Matrix is real, it is the reality of these
humans. It maintains the requirement of the first type of flow of
data. But it fails the second test: people do not know that it exists
or any of its attributes, nor do they affect it irreversibly. They do
not change the Matrix. Paradoxically, the rebels do affect the Matrix
(they almost destroy it). In doing so, they make it REAL. It is their
REALITY because they KNOW it and they irreversibly CHANGE it.
Applying this dual-track test, "virtual" reality IS a reality, albeit,
at this stage, of a deterministic type. It affects our minds, we know
that it exists and we affect it in return. Our choices and actions
irreversibly alter the state of the system. This altered state, in
turn, affects our minds. This interaction IS what we call "reality".
With the advent of stochastic and quantum virtual reality generators -
the distinction between "real" and "virtual" will fade. The Matrix
thus is not impossible. But that it is possible - does not make it
real.
The Shattered Identity
By: Sam Vaknin
Read these essays first:
The Habitual Identity
Death, Meaning, and Identity
Fact and Truth
Dreams - The Metaphors of Mind
I. Exposition
In the movie "Shattered" (1991), Dan Merrick survives an accident and
develops total amnesia regarding his past. His battered face is
reconstructed by plastic surgeons and, with the help of his loving
wife, he gradually recovers his will to live. But he never develops a
proper sense of identity. It is as though he is constantly ill at ease
in his own body. As the plot unravels, Dan is led to believe that he
may have murdered his wife's lover, Jack. This thriller offers
additional twists and turns but, throughout it all, we face this
question:
Dan has no recollection of being Dan. Dan does not remember murdering
Jack. It seems as though Dan's very identity has been erased. Yet, Dan
is in sound mind and can tell right from wrong. Should Dan be held
(morally and, as a result, perhaps legally as well) accountable for
Jack's murder?
Public-domain text, read in full here on John Shaqi.
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