Moral Deliberations in Modern CinemaVaknin, Samuel
Philosophy
Moral Deliberations in Modern Cinema
Vaknin, Samuel
Motion pictures -- Reviews
Another angle of philosophical attack is to say that we rarely hold
rights to nature or to life. We can copyright a photograph we take of
a forest - but not the forest. To reduce it to the absurd: we can own
a sunset captured on film - but never the phenomenon thus documented.
The brain is natural and life's pivot - could this be why we cannot
fully own it?
Wrong premises inevitably lead to wrong conclusions. We often own
natural objects and manifestations, including those related to human
life directly. We even issue patents for sequences of human DNA. And
people do own forests and rivers and the specific views of sunsets.
Some scholars raise the issues of exclusivity and scarcity as the
precursors of property rights. My brain can be accessed only by myself
and its is one of a kind (sui generis). True but not relevant. One
cannot rigorously derive from these properties of our brain a right to
deny others access to them (should this become technologically
feasible) - or even to set a price on such granted access. In other
words, exclusivity and scarcity do not constitute property rights or
even lead to their establishment. Other rights may be at play (the
right to privacy, for instance) - but not the right to own property
and to derive economic benefits from such ownership.
On the contrary, it is surprisingly easy to think of numerous
exceptions to a purported natural right of single access to one's
brain. If one memorized the formula to cure AIDS or cancer and refused
to divulge it for a reasonable compensation - surely, we should feel
entitled to invade his brain and extract it? Once such technology is
available - shouldn't authorized bodies of inspection have access to
the brains of our leaders on a periodic basis? And shouldn't we all
gain visitation rights to the minds of great men and women of science,
art and culture - as we do today gain access to their homes and to the
products of their brains?
There is one hidden assumption, though, in both the movie and this
article. It is that mind and brain are one. The portal leads to John
Malkovich's MIND - yet, he keeps talking about his BRAIN and writhing
physically on the screen. The portal is useless without JM's mind.
Indeed, one can wonder whether JM's mind is not an INTEGRAL part of
the portal - structurally and functionally inseparable from it. If so,
does not the discoverer of the portal hold equal rights to John
Malkovich's mind, an integral part thereof?
Public-domain text, read in full here on John Shaqi.
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