Moral Poison in Modern FictionJohnson, R. Brimley (Reginald Brimley)
History
Moral Poison in Modern Fiction
Johnson, R. Brimley (Reginald Brimley)
English fiction -- 20th century -- History and criticism; Pornography
The legal problem suggested by the title (a "practical" issue of
grave importance to public morality) is only used for the mechanism
of the plot; and spiritual purity is fertilized by manure. This, of
course, may be achieved by a strong nature: virtue does sometimes
triumph against long odds. But such books without doubt imply that the
surroundings of loathly sin _provide the most favourable soil_ for the
growth and strengthening of a girl's innocence to perfect womanhood.
Which is a lie.
_Can we finally hesitate to proclaim that too many novels, written
round "gay life," create moods and stimulate emotions, by which truth
and the Right are hidden or denied?_
VII
WHAT DO THE "NEW" WRITERS AND THINKERS TO-DAY ACTUALLY TEACH? HOW DO
THEY INTERPRET LIFE AND LOVE?
We have, so far, considered rather the effects of "new" morality
than the morality itself; and, to some extent, dwelt more upon the
characteristics of modern fiction than on the thought it expounds.
It is now necessary to examine the actual teaching, or interpretation,
of life and love.
The poison permeating literature and society seems to have its main
origin in over-emphasis and a determination to reform by destruction.
A violent, but not altogether unjustified, reaction against our old
moral rules and formulæ, which laid undue stress on "appearances," has
led to a passionate declaration that the first right and duty of every
man or woman is to express himself or herself at all costs. The one
sin now held unpardonable is hypocrisy, or the insincere moulding of
oneself by rule; falling in line, accepting any authority or tradition,
any form of self-sacrifice. There is great confusion here between good
and evil. We have already more than once explained that we of the older
days frankly admit our mistake. We did conform over-much, fixed our
ideals in a groove, and—with too anxious love—sought to guide and
direct youth, rather than help and stimulate them to be their best
selves.
But, if we laid too great stress on restraint, control, sacrifice, and
mere orderliness; the new thinkers have, here again, missed the truth
by their fiery haste. As the clear-sighted heroine of a recent novel
has remarked, "It was a great and fine act to let yourself go—only no
one said precisely where you went to."
Public-domain text, read in full here on John Shaqi.
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